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	<title>Serene Falcon &#187; Literature</title>
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	<description>Hugin and Munin, odin, woden, depression, charles I, charles the first,  royalist, royalism, legitimist, legitimism, monarchist, monarchism, jacobitism, jacobite, prussia, prussian, prussianism, art, animals, correctitude, high germany, germany, germanic, teuton, teutonism, stuart, stuarts, stuartist, stewart, stewartism, stewartist, claverhouse, claver,</description>
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		<title>The Glassy Deep At Midnight When The Cold Moon Shines</title>
		<link>http://www.serene-falcon.com/the-glassy-deep-at-midnight-when-the-cold-moon-shines/</link>
		<comments>http://www.serene-falcon.com/the-glassy-deep-at-midnight-when-the-cold-moon-shines/#comments</comments>
		<pubDate>Fri, 09 Jul 2010 01:00:53 +0000</pubDate>
		<dc:creator>Claverhouse</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Manners not Morals]]></category>
		<category><![CDATA[Melancholy]]></category>
		<category><![CDATA[Other Writ]]></category>
		<category><![CDATA[Places]]></category>

		<guid isPermaLink="false">http://www.serene-falcon.com/?p=1277</guid>
		<description><![CDATA[After dawdling around Monaco itself, we went round to the &#8216;Jeux&#8217;  &#8212;  a large gambling-house established on the shore near Monaco, upon the road to Mentone.  There is a splendid hotel there, and the large house of sin, blazing with gas lamps by night.  So we saw it from the road [...]]]></description>
			<content:encoded><![CDATA[<p>After dawdling around Monaco itself, we went round to the &#8216;Jeux&#8217;  &#8212;  a large gambling-house established on the shore near Monaco, upon the road to Mentone.  There is a splendid hotel there, and the large house of sin, blazing with gas lamps by night.  So we saw it from the road beneath Turbia our first night, flaming and shining by the shore like Pandemonium, or the habitation of some romantic witch.  This place, in truth, resembles the gardens of Alcina, or any other magician&#8217;s trap for catching souls which poets have devised.  It lies close by the sea in a hollow of the sheltering hills.  there winter cannot come  &#8212;  the flowers bloom, the waves dance, and sunlight laughs all through the year.  The air swoons with scent of lemon groves;  tall palm trees wave their branches in the garden;  music of the softest, loudest, most inebriating passion swells from the palace;  rich meats and wines are served in a gorgeously painted hall;  cool corridors and sunny seats stand ready for the noontide heat or evening calm;  without are olive gardens, green and fresh and full of flowers.  But the witch herself holds her high court and never-ending festival of sin in the hall of the green tables.  There is a passion which subdues all others, making music, sweet scents and delicious food, the plash of melodious waves, the evening air and freedom of the everlasting hills subserve her own supremacy.</p>
<p>When the fiend of play has entered into a man, what does he care for the beauties of nature or even for the pleasure of the sense ?  Yet in the moments of his trial he must drain the cup of passion, therefore let him have companions   &#8212;  splendid women, with bold eyes and golden hair and marble columns of imperial throats, to laugh with him, to sing shrill songs, to drink, to tempt the glassy deep at midnight when the cold moon shines or all the headlands glitter with grey phosphorescence and the palace sends its flaring lights and sound of cymbals to the hills.  And many, too, there are over whom love and wine hold empire hardly less than play.  This is no vision;  it is sober, sad reality.  I have seen it to-day with my own eyes.  I have been inside the palace and breathed its air.  In no other place could this riotous daughter of hell have set her throne so seducingly.  Here are the Sirens and Calypso and Dame Venus of Tannhäuser&#8217;s dream.  Almost every other scene of dissipation has disappointed me by its monotony and sordidness.  But this inebriates;  here nature is so lavish, so beautiful, so softly luxurious, that the harlot&#8217;s cup is thrice more sweet to the taste, more stealing of the senses than elsewhere.  I felt, while we listened to the music, strolled about the gardens and lounged in the play-rooms, as I have sometimes felt at the opera.  All other pleasures, thoughts and interests of life seemed to be far off and trivial for the time.  I was beclouded, carried off my balance, lapped in strange forebodings of things infinite outside me in the human heart.  Yet all was unreal;  for the touch of reason, like the hand of Galahad, caused the boiling of this impure fountain to cease  &#8212;  the wizard&#8217;s castle disappeared and, as I drove home to Mentone, the solemn hills and skies and seas remained and that house was, as it were, a mirage.</p>
<p>John Addington Symonds : Diary</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><center><a href="http://www.serene-falcon.com/imageswp02/tokiko-touhou-reading-wisely.png"><img src="http://www.serene-falcon.com/imageswp02/tokiko-touhou-reading-wiselysmall.png" alt="Tokiko Reading" /></a></center></p>
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		<title>To Attach The Electrodes Of Knowledge To The Nipples Of Ignorance</title>
		<link>http://www.serene-falcon.com/to-attach-the-electrodes-of-knowledge-to-the-nipples-of-ignorance/</link>
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		<pubDate>Sun, 16 May 2010 07:00:42 +0000</pubDate>
		<dc:creator>Claverhouse</dc:creator>
				<category><![CDATA[Correctitude]]></category>
		<category><![CDATA[High Germany]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Manners not Morals]]></category>
		<category><![CDATA[Other Writ]]></category>

		<guid isPermaLink="false">http://www.serene-falcon.com/?p=1241</guid>
		<description><![CDATA[Frederick Schlegel ( and after him Coleridge ) aptly indicated a distinction, when he said that every man was born either a Platonist or an Aristotelian. This distinction is often expressed in the terms subjective and objective intellects. Perhaps we shall best define these by calling the objective intellect one that is eminently impersonal, and [...]]]></description>
			<content:encoded><![CDATA[<p>Frederick Schlegel ( and after him Coleridge ) aptly indicated a distinction, when he said that every man was born either a Platonist or an Aristotelian. This distinction is often expressed in the terms <em>subjective</em> and <em>objective</em> intellects. Perhaps we shall best define these by calling the objective intellect one that is eminently <em>impersonal</em>, and the subjective intellect one that is eminently <em>personal</em>;  the former disengaging itself as much as possible from its own prepossessions, striving to see and represent objects as they exist;  the other viewing all objects in the light of its own feelings and preconceptions.  It is needless to add that no mind is exclusively objective or exclusively subjective, but every mind has a more or less dominant tendency in one or the other of these directions. We see the contrast in Philosophy, as in Art.  The realist argues from Nature upwards, argues inductively, starting from reality, and never long losing sight of it; even in the adventurous flights of hypothesis and speculation, being desirous that his hypothesis shall correspond with realities.  The idealist argues from an Idea downwards, starting from some conception, and seeking in realities only visible illustrations of a deeper existence.  The achievements of modern Science, and the masterpieces of Art, prove that the grandest generalisations and the most elevated types can only be reached by the former method;  and that what is called the &#8220;ideal school,&#8221; so far from having the superiority which it claims, is only more lofty in its <em>pretensions</em>;  the realist, with more modest pretensions, achieves loftier results.  The Objective and Subjective, or as they are also called, the Real and the Ideal, are thus contrasted as the termini of two opposite lines of thought. In Philosophy, in Morals and in Art, we see a constant antagonism between these two principles. Thus in Morals the Platonists are those who seek the highest morality <em>out</em> of human nature, instead of in the healthy development of all human tendencies, and their due co-ordination; they hope, in the <em>suppression</em> of integral faculties, to attain some superhuman standard. They call that Ideal which no Reality can reach, but for which we should strive. They superpose <em>ab extra</em>, instead of trying to develop <em>ab intra</em>. They draw from their own minds, or from the dogmas handed to them by tradition, an arbitrary mould, into which they attempt to fuse the organic activity of Nature.</p>
<p>If this school had not in its favor the imperious instinct of Progress, and aspiration after a better, it would not hold its ground. But it satisfies that craving, and thus deludes many minds into acquiescence. The poetical and enthusiastic disposition most readily acquiesces : preferring to overlook what man is, in its delight of contemplating what the poet makes him. To such a mind all conceptions of Man must have a halo round them, &#8212; half mist, half sunshine; the hero must be a Demigod, in whom no <em>valet de chambre</em> can find a failing ; the villain must be a Demon, for whom no charity can find an excuse.</p>
<p>Not to extend this to a dissertation, let me at once say that Goethe belonged to the <em>objective</em> class.&#8221;&#8216;<em>Everywhere in Goethe</em>,&#8221;said Franz Horn, &#8220;<em>you are on firm land or island ; nowhere the infinite sea</em>.&#8217; A better characterization was never written in one sentence. In every page of his works may be read a strong feeling for the real, the concrete, the living; and a repugnance as strong for the vague, the abstract, or the supersensuous. His constant striving was to study Nature, so as to see her <em>directly</em>, and not through the mists of fancy, or through the distortions of prejudice, &#8212; to look at men, and <em>into</em> them, &#8212; to apprehend things as they were. In his conception of the universe he could not separate God <em>from</em> it, placing Him above it, beyond it, as the philosophers did who represented God whirling the universe round His finger, &#8220;<em>seeing it go</em>.&#8221; Such a conception revolted him. He animated the universe with God ; he animated fact with divine life ; he saw in Reality the incarnation of the Ideal; he saw in Morality the high and harmonious action of all human tendencies ; he saw in Art the highest representation of Life.</p>
<p>George Henry Lewes : The Life &#038; Works of Goethe</p>
<p>&nbsp;</p>
<p>&nbsp;<br />
<a href="http://www.serene-falcon.com/imageswp02/marisabroomslumber-by-Aoblue.jpg"><img src="http://www.serene-falcon.com/imageswp02/marisabroomslumber-by-Aobluesmall.jpg" alt="Marisa Kirisame Sleeping in the Air" /></a><br />
<center><small>AoBlue &#8212;  Marisa Kirisame sleeping on the Air</small></center><br />
&nbsp;</p>
<p><small>Title from <strong>Third Rock From The Sun</strong>.</small><small></small></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>With His Peculiar Look And Emphasis</strong></p>
<p>As an extra&#8230;  Lewes in a footnote adds a personal note of the old loon Carlyle:</p>
<p>&#8216;I remember once, as we were walking along Piccadilly, talking about the infamous <em><strong>Büchlein von Goethe</strong></em>, Carlyle stopped suddenly, and with his peculiar look and emphasis, said, &#8220;<em>Yes, it is the wild cry of amazement on the part of all spooneys that the Titan was not a spooney too !  Here is a god-like intellect, and yet you see he is not an idiot !  Not in the least a spooney !</em>&#8221;</p>
<p>&nbsp;<br />
Readers not current in early 19th century England may note that &#8216;<em>Spooney</em>&#8216; means soppy, soft, wet:  sissies, but not <em>necessarily</em> including the present-day connotation of sexual maladaption.</p>
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		<title>O, Venice Is A Fine City, Wherein A Rat Can Wander At His Ease</title>
		<link>http://www.serene-falcon.com/o-venice-is-a-fine-city-wherein-a-rat-can-wander-at-his-ease/</link>
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		<pubDate>Mon, 11 Aug 2008 02:00:17 +0000</pubDate>
		<dc:creator>Claverhouse</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Other Writ]]></category>
		<category><![CDATA[Places]]></category>

		<guid isPermaLink="false">http://www.serene-falcon.com/?p=404</guid>
		<description><![CDATA[The Wind in the Willows was not my initiation into reading   &#8212;  the first book I was observed reading happened to be Of Mice and Men :  and on review it is to be sincerely doubted that any seven-year-old would understand more than half of that   &#8212;  yet [...]]]></description>
			<content:encoded><![CDATA[<p><strong><em>The Wind in the Willows</em> was not my initiation into reading   &#8212;  the first book I was observed reading happened to be <em>Of Mice and Men</em> :  and on review it is to be sincerely doubted that any seven-year-old would understand more than half of that   &#8212;  yet this was the most important book of my childhood;  and nothing, absolutely <em>nothing</em>, can overstate the incredible importance of this work to all true English men and women.  Roughly the same significance as held the Bible in the seventeenth through the nineteenth centuries.</strong></p>
<p>&nbsp;<br />
<center><img src="http://www.serene-falcon.com/imageswp02/homer_sloop.jpg" alt="Winslow - Sloop" /></center><center><small>Winslow Homer  &#8212; Sloop at Nassau </small></center></p>
<p>&nbsp;<br />
The wayfarer was lean and keen-featured, and somewhat bowed at the shoulders; his paws were thin and long, his eyes much wrinkled at the corners, and he wore small gold ear rings in his neatly-set well-shaped ears. His knitted jersey was of a faded blue, his breeches, patched and stained, were based on a blue foundation, and his small belongings that he carried were tied up in a blue cotton handkerchief.</p>
<p>When he had rested awhile the stranger sighed, snuffed the air, and looked about him.</p>
<p>&#8216;That was clover, that warm whiff on the breeze,&#8217; he remarked; &#8216;and those are cows we hear cropping the grass behind us and blowing softly between mouthfuls. There is a sound of distant reapers, and yonder rises a blue line of cottage smoke against the woodland. The river runs somewhere close by, for I hear the call of a moorhen, and I see by your build that you&#8217;re a freshwater mariner. Everything seems asleep, and yet going on all the time. It is a goodly life that you lead, friend; no doubt the best in the world, if only you are strong enough to lead it !&#8217;</p>
<p>&#8216;Yes, it&#8217;s THE life, the only life, to live,&#8217; responded the Water Rat dreamily, and without his usual whole-hearted conviction.</p>
<p>&#8216;I did not say exactly that,&#8217; replied the stranger cautiously; &#8216;but no doubt it&#8217;s the best. I&#8217;ve tried it, and I know. And because I&#8217;ve just tried it &#8212; six months of it &#8212; and know it&#8217;s the best, here am I, footsore and hungry, tramping away from it, tramping southward, following the old call, back to the old life, THE life which is mine and which will not let me go.&#8217;</p>
<p>&#8216;Is this, then, yet another of them ?&#8217; mused the Rat. &#8216;And where have you just come from ?&#8217; he asked. He hardly dared to ask where he was bound for; he seemed to know the answer only too well.</p>
<p>&#8216;Nice little farm,&#8217; replied the wayfarer, briefly. &#8216;Upalong in that direction&#8217;   &#8212;  he nodded northwards. &#8216;Never mind about it. I had everything I could want  &#8212;  everything I had any right to expect of life, and more; and here I am! Glad to be here all the same, though, glad to be here ! So many miles further on the road, so many hours nearer to my heart&#8217;s desire !&#8217;</p>
<p>His shining eyes held fast to the horizon, and he seemed to be listening for some sound that was wanting from that inland acreage, vocal as it was with the cheerful music of pasturage and farmyard.</p>
<p>&#8216;You are not one of US,&#8217; said the Water Rat, &#8216;nor yet a farmer; nor even, I should judge, of this country.&#8217;</p>
<p>&#8216;Right,&#8217; replied the stranger. &#8216;I&#8217;m a seafaring rat, I am, and the port I originally hail from is Constantinople, though I&#8217;m a sort of a foreigner there too, in a manner of speaking. You will have heard of Constantinople, friend ? A fair city, and an ancient and glorious one. And you may have heard, too, of Sigurd, King of Norway, and how he sailed thither with sixty ships, and how he and his men rode up through streets all canopied in their honour with purple and gold; and how the Emperor and Empress came down and banqueted with him on board his ship. When Sigurd returned home, many of his Northmen remained behind and entered the Emperor&#8217;s body-guard, and my ancestor, a Norwegian born, stayed behind too, with the ships that Sigurd gave the Emperor. Seafarers we have ever been, and no wonder; as for me, the city of my birth is no more my home than any pleasant port between there and the London River. I know them all, and they know me. Set me down on any of their quays or foreshores, and I am home again.&#8217;</p>
<p>&#8216;I suppose you go great voyages,&#8217; said the Water Rat with growing interest. &#8216;Months and months out of sight of land, and provisions running short, and allowanced as to water, and your mind communing with the mighty ocean, and all that sort of thing?&#8217;</p>
<p>&#8216;By no means,&#8217; said the Sea Rat frankly. &#8216;Such a life as you describe would not suit me at all. I&#8217;m in the coasting trade, and rarely out of sight of land. It&#8217;s the jolly times on shore that appeal to me, as much as any seafaring. O, those southern seaports ! The smell of them, the riding-lights at night, the glamour !&#8217;</p>
<p>&#8216;Well, perhaps you have chosen the better way,&#8217; said the Water Rat, but rather doubtfully. &#8216;Tell me something of your coasting, then, if you have a mind to, and what sort of harvest an animal of spirit might hope to bring home from it to warm his latter days with gallant memories by the fireside; for my life, I confess to you, feels to me to-day somewhat narrow and circumscribed.&#8217;</p>
<p>&#8216;My last voyage,&#8217; began the Sea Rat, &#8216;that landed me eventually in this country, bound with high hopes for my inland farm, will serve as a good example of any of them, and, indeed, as an epitome of my highly-coloured life. Family troubles, as usual, began it. The domestic storm-cone was hoisted, and I shipped myself on board a small trading vessel bound from Constantinople, by classic seas whose every wave throbs with a deathless memory, to the Grecian Islands and the Levant. Those were golden days and balmy nights ! In and out of harbour all the time  &#8212; old friends everywhere  &#8212;  sleeping in some cool temple or ruined cistern during the heat of the day &#8212; feasting and song after sundown, under great stars set in a velvet sky ! Thence we turned and coasted up the Adriatic, its shores swimming in an atmosphere of amber, rose, and aquamarine; we lay in wide land-locked harbours, we roamed through ancient and noble cities, until at last one morning, as the sun rose royally behind us, we rode into Venice down a path of gold. O, Venice is a fine city, wherein a rat can wander at his ease and take his pleasure ! Or, when weary of wandering, can sit at the edge of the Grand Canal at night, feasting with his friends, when the air is full of music and the sky full of stars, and the lights flash and shimmer on the polished steel prows of the swaying gondolas, packed so that you could walk across the canal on them from side to side! And then the food  &#8212;  do you like shellfish ? Well, well, we won&#8217;t linger over that now.&#8217;</p>
<p>He was silent for a time; and the Water Rat, silent too and enthralled, floated on dream-canals and heard a phantom song pealing high between vaporous grey wave-lapped walls.</p>
<p><a id="more-404"></a></p>
<p>&#8216;Southwards we sailed again at last,&#8217; continued the Sea Rat, &#8216;coasting down the Italian shore, till finally we made Palermo, and there I quitted for a long, happy spell on shore. I never stick too long to one ship; one gets narrow-minded and prejudiced. Besides, Sicily is one of my happy hunting-grounds. I know everybody there, and their ways just suit me. I spent many jolly weeks in the island, staying with friends up country. When I grew restless again I took advantage of a ship that was trading to Sardinia and Corsica; and very glad I was to feel the fresh breeze and the sea-spray in my face once more.&#8217;</p>
<p>&#8216;But isn&#8217;t it very hot and stuffy, down in the &#8212; hold, I think you call it ?&#8217; asked the Water Rat.</p>
<p>The seafarer looked at him with the suspicion go a wink. &#8216;I&#8217;m an old hand,&#8217; he remarked with much simplicity. &#8216;The captain&#8217;s cabin&#8217;s good enough for me.&#8217;</p>
<p>&#8216;It&#8217;s a hard life, by all accounts,&#8217; murmured the Rat, sunk in deep thought.</p>
<p>&#8216;For the crew it is,&#8217; replied the seafarer gravely, again with the ghost of a wink.</p>
<p>&#8216;From Corsica,&#8217; he went on, &#8216;I made use of a ship that was taking wine to the mainland. We made Alassio in the evening, lay to, hauled up our wine-casks, and hove them overboard, tied one to the other by a long line. Then the crew took to the boats and rowed shorewards, singing as they went, and drawing after them the long bobbing procession of casks, like a mile of porpoises. On the sands they had horses waiting, which dragged the casks up the steep street of the little town with a fine rush and clatter and scramble. When the last cask was in, we went and refreshed and rested, and sat late into the night, drinking with our friends, and next morning I took to the great olive-woods for a spell and a rest. For now I had done with islands for the time, and ports and shipping were plentiful; so I led a lazy life among the peasants, lying and watching them work, or stretched high on the hillside with the blue Mediterranean far below me. And so at length, by easy stages, and partly on foot, partly by sea, to Marseilles, and the meeting of old shipmates, and the visiting of great ocean-bound vessels, and feasting once more. Talk of shell-fish ! Why, sometimes I dream of the shell-fish of Marseilles, and wake up crying !&#8217;</p>
<p>&#8216;That reminds me,&#8217; said the polite Water Rat; &#8216;you happened to mention that you were hungry, and I ought to have spoken earlier. Of course, you will stop and take your midday meal with me ? My hole is close by; it is some time past noon, and you are very welcome to whatever there is.&#8217;</p>
<p>&#8216;Now I call that kind and brotherly of you,&#8217; said the Sea Rat. &#8216;I was indeed hungry when I sat down, and ever since I inadvertently happened to mention shell-fish, my pangs have been extreme. But couldn&#8217;t you fetch it along out here ? I am none too fond of going under hatches, unless I&#8217;m obliged to; and then, while we eat, I could tell you more concerning my voyages and the pleasant life I lead &#8212; at least, it is very pleasant to me, and by your attention I judge it commends itself to you; whereas if we go indoors it is a hundred to one that I shall presently fall asleep.&#8217;</p>
<p>&#8216;That is indeed an excellent suggestion,&#8217; said the Water Rat, and hurried off home. There he got out the luncheon-basket and packed a simple meal, in which, remembering the stranger&#8217;s origin and preferences, he took care to include a yard of long French bread, a sausage out of which the garlic sang, some cheese which lay down and cried, and a long-necked straw-covered flask wherein lay bottled sunshine shed and garnered on far Southern slopes. Thus laden, he returned with all speed, and blushed for pleasure at the old seaman&#8217;s commendations of his taste and judgment, as together they unpacked the basket and laid out the contents on the grass by the roadside.</p>
<p>The Sea Rat, as soon as his hunger was somewhat assuaged, continued the history of his latest voyage, conducting his simple hearer from port to port of Spain, landing him at Lisbon, Oporto, and Bordeaux, introducing him to the pleasant harbours of Cornwall and Devon, and so up the Channel to that final quayside, where, landing after winds long contrary, storm-driven and weather-beaten, he had caught the first magical hints and heraldings of another Spring, and, fired by these, had sped on a long tramp inland, hungry for the experiment of life on some quiet farmstead, very far from the weary beating of any sea.</p>
<p>Spell-bound and quivering with excitement, the Water Rat followed the Adventurer league by league, over stormy bays, through crowded roadsteads, across harbour bars on a racing tide, up winding rivers that hid their busy little towns round a sudden turn; and left him with a regretful sigh planted at his dull inland farm, about which he desired to hear nothing.</p>
<p>By this time their meal was over, and the Seafarer, refreshed and strengthened, his voice more vibrant, his eye lit with a brightness that seemed caught from some far-away sea-beacon, filled his glass with the red and glowing vintage of the South, and, leaning towards the Water Rat, compelled his gaze and held him, body and soul, while he talked. Those eyes were of the changing foam-streaked grey-green of leaping Northern seas; in the glass shone a hot ruby that seemed the very heart of the South, beating for him who had courage to respond to its pulsation. The twin lights, the shifting grey and the steadfast red, mastered the Water Rat and held him bound, fascinated, powerless. The quiet world outside their rays receded far away and ceased to be. And the talk, the wonderful talk flowed on.  &#8212;  or was it speech entirely, or did it pass at times into song  &#8212;  chanty of the sailors weighing the dripping anchor, sonorous hum of the shrouds in a tearing North-Easter, ballad of the fisherman hauling his nets at sundown against an apricot sky, chords of guitar and mandoline from gondola or caique ? Did it change into the cry of the wind, plaintive at first, angrily shrill as it freshened, rising to a tearing whistle, sinking to a musical trickle of air from the leech of the bellying sail ? All these sounds the spell-bound listener seemed to hear, and with them the hungry complaint of the gulls and the sea-mews, the soft thunder of the breaking wave, the cry of the protesting shingle. Back into speech again it passed, and with beating heart he was following the adventures of a dozen seaports, the fights, the escapes, the rallies, the comradeships, the gallant undertakings; or he searched islands for treasure, fished in still lagoons and dozed day-long on warm white sand. Of deep-sea fishings he heard tell, and mighty silver gatherings of the mile-long net; of sudden perils, noise of breakers on a moonless night, or the tall bows of the great liner taking shape overhead through the fog; of the merry home-coming, the headland rounded, the harbour lights opened out; the groups seen dimly on the quay, the cheery hail, the splash of the hawser; the trudge up the steep little street towards the comforting glow of red-curtained windows.</p>
<p>Lastly, in his waking dream it seemed to him that the Adventurer had risen to his feet, but was still speaking, still holding him fast with his sea-grey eyes.</p>
<p>&#8216;And now,&#8217; he was softly saying, &#8216;I take to the road again, holding on southwestwards for many a long and dusty day; till at last I reach the little grey sea town I know so well, that clings along one steep side of the harbour. There through dark doorways you look down flights of stone steps, overhung by great pink tufts of valerian and ending in a patch of sparkling blue water. The little boats that lie tethered to the rings and stanchions of the old sea-wall are gaily painted as those I clambered in and out of in my own childhood; the salmon leap on the flood tide, schools of mackerel flash and play past quay-sides and foreshores, and by the windows the great vessels glide, night and day, up to their moorings or forth to the open sea. There, sooner or later, the ships of all seafaring nations arrive; and there, at its destined hour, the ship of my choice will let go its anchor. I shall take my time, I shall tarry and bide, till at last the right one lies waiting for me, warped out into midstream, loaded low, her bowsprit pointing down harbour. I shall slip on board, by boat or along hawser; and then one morning I shall wake to the song and tramp of the sailors, the clink of the capstan, and the rattle of the anchor-chain coming merrily in. We shall break out the jib and the foresail, the white houses on the harbour side will glide slowly past us as she gathers steering-way, and the voyage will have begun ! As she forges towards the headland she will clothe herself with canvas; and then, once outside, the sounding slap of great green seas as she heels to the wind, pointing South !</p>
<p>&#8216;And you, you will come too, young brother; for the days pass, and never return, and the South still waits for you. Take the Adventure, heed the call, now ere the irrevocable moment passes !&#8217; &#8216;Tis but a banging of the door behind you, a blithesome step forward, and you are out of the old life and into the new ! Then some day, some day long hence, jog home here if you will, when the cup has been drained and the play has been played, and sit down by your quiet river with a store of goodly memories for company. You can easily overtake me on the road, for you are young, and I am ageing and go softly. I will linger, and look back; and at last I will surely see you coming, eager and light-hearted, with all the South in your face !&#8217;</p>
<p>Kenneth Graham : The Wind in the Willows</p>
<p>&nbsp;<br />
<a href="http://www.serene-falcon.com/imageswp02/cityofgold.gif"><img src="http://www.serene-falcon.com/imageswp02/cityofgoldsmall.jpg" alt="Ship entering City" /></a></p>
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		<title>All Fiction Is Wish-Fulfilment</title>
		<link>http://www.serene-falcon.com/all-fiction-is-wish-fulfilment/</link>
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		<pubDate>Tue, 29 Jul 2008 17:30:20 +0000</pubDate>
		<dc:creator>Claverhouse</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Manners not Morals]]></category>
		<category><![CDATA[Self Writ]]></category>
		<category><![CDATA[To Know Know Know Him]]></category>

		<guid isPermaLink="false">http://www.serene-falcon.com/?p=646</guid>
		<description><![CDATA[Sprawled on the carpet, Jamie was nibbling his lower lip in a thoughtful rapture.
&#8220;Wot&#8217;cha doing ?&#8221; enquired Paul.  Whilst glad he was actually doing something, and not staring inwardly;  the ever-active Paul mistrusted the contemplative impulse: noting that Jamie, unusually for him had been reading the Sunday literary supplements and scribbling away for [...]]]></description>
			<content:encoded><![CDATA[<p>Sprawled on the carpet, Jamie was nibbling his lower lip in a thoughtful rapture.<br />
&#8220;<em>Wot&#8217;cha doing ?</em>&#8221; enquired Paul.  Whilst glad he was actually doing something, and not staring inwardly;  the ever-active Paul mistrusted the contemplative impulse: noting that Jamie, unusually for him had been reading the Sunday literary supplements and scribbling away for the last hour.  His pretty little brother had given up on others&#8217; critical theory when he was ten, not just on literature.</p>
<p>&#8220;<em>Making a game..</em>&#8221;  Jamie murmured in soft distraction;  then shaking his platinum head explained:  &#8220;<em>One creates ten titles with synopsis-blurbs for well typical modern books   &#8212;   fiction&#8217;s gonna be the easiest  &#8216;<strong>The crap we read now</strong>&#8216; to be Trollopian&#8230;</em>&#8221;   not that Jamie had hardly read Trollope in his young life&#8230;  &#8220;<em>then lists ten adjectives commonly used in such heated minds as write blurbs to describe the protagonist; and ten adjectives used to encapsulate such rot.  The others than have to match up the correct two adjectives to each book to win.  Remember:  All fiction is wish-fulfilment.  The skill of the author lies mostly in how they can disguise this truth.  Modern authors can barely even try;  which is why their heroes and heroines are all brilliant, multi-skilled, sexy geniuses</em>.&#8221;</p>
<p>After a while he handed Paul his first list, &#8220;<em>Knock yourself out</em>.&#8221;  he said cheerfully.</p>
<p>&nbsp;<br />
I. <strong>Miss Jazzy Queening it Down The Gap</strong>.	—	The adventures of a mixed race Black/Puerto Rican drag-artiste hustling in Times Square to fund his sex-change operation.</p>
<p>II. <strong>The Potting-Shed in Autumn</strong>.			—	In the garden of a country-house in 1935 an ageing gardener, once an Oxford graduate, recalls how he came to the ruin of his dreams and his present status, and considers the tapestry of life represented by the denizens of Maddingleigh Hall from the servants’ quarter to the Osterley-Browns, the wealthy but corrupt family who now own the land.</p>
<p>III. <strong>The Gash of Time</strong>.				—	A Scotswoman’s vigorous fight for self-improvement against the opposition of family, friends, children and all the menfolk she ever meets.  Until at last she gains a doctorate in Council Studies, makes the largest fortune in Scottish history as a successful businesswoman, and finally becomes the first woman first minister of Scotland’s Parliament.</p>
<p>IV. <strong>The Seabirds of Yalta</strong>.			—	Charlie Werner, troubled maverick of the SIS, has five days to stop Walter Schellenburg’s most daring plot of all:  to assassinate the Big Three at their meeting in 1945.  Facing the sinister ex-lawyer Ulrich von Kartoffeltopf, now SS Brigadeführer and confidante of Himmler, he has only the beautiful Larissa, once secretary to Yagoda, only allowed to buy her life by fulfilling the most dangerous of all missions, and Una, ‘<em><strong>The Lovely Valkyrie</strong></em>’, a Prussian aristocrat playing a double game, and ‘Dutch’ O’Murphy, a tough wise-cracking US Master-Sergeant, eager and willing to pay off old scores.  These four are pitted against Otto Skorzeny and an elite band of assassins formed from a company of the surviving parachutists of Crete sworn to dark and mystical oaths which have to do with revenge on traitors responsible for the near débâcle and the random recovery of ancient objects of great occult power.  Can they protect the leaders of the Free World, or is there a traitor in their own ranks ?  How will they pair off into bed ?  And in what order ?</p>
<p>V. <strong>The Bread-and-Butter Pudding Club</strong>.		—	Polly, Gail, Rosie and Miriam all want their men to settle down and take things seriously:  they form a pact with the rest of the girls in the firm and it’s a side-splitting race to see who becomes pregnant first.</p>
<p>VI. <strong>The End of the Pier</strong>.				—	July 1914:  <em>The Twelve Joeys</em>, a struggling party of Pierrots and Pierrets work the South Coast during the splendid Summer.  What will Autumn bring ?</p>
<p>VII. <strong>Riding A Rainbow</strong>.				—	Dainty vowed never to be dependent on anyone after her parents split up;  now a brilliant success as the best marketing executive in the tough world of publishing ever, she wants a child.  But at 26 she has to act fast.  Who shall she choose as the father ?  Josh, her live-in lover of three years, genius research scientist, but irresponsible and feckless;  Rudy, the sweet gentle impoverished motorcycle courier, only 19 but living in a communal squat in Brixton;  or Simon, suave multi-millionaire business entrepreneur who will give her a life of perfection, but demand marriage as the price ?  Dainty has to make the most difficult decision of her life.</p>
<p>VIII. <strong>Dead of Day</strong>.				—	A serial killer is murdering women, all of whom are young, clever and excessively attractive:  can the J9 team, a crack police squad formed to foil these crimes   —   oldish gaffer, young female second-in-command, black male, computer genius, black female, several gays of either sex, ordinary plods with combat skills   —   work out why he uses these criteria in time before he slays another six victims ?</p>
<p>IX. <strong>The Holy Ball</strong>.				—	Latvia in the early fourteenth century is a grim and dangerous place, ruled by the cruel Sword-Brethren.  Some men fight in rebellion, others knuckle under:  but all, ultimately are depressed.  A group of their wives however refuse to yield, and defy the imperialistic oppressors and their hypocritical Church by inventing football.  The infuriated rulers must strike back and destroy the game and all memory of it, or it will spell the end of all their anti-democratic power.  Inspiringly, after the massacre one girl escapes and, abjuring all else, spends every moment of an immensely long and minutely detailed mediæval life travelling to every country in Europe, Africa, and Asia to secretly spread the knowledge of this inspiring game, with it’s promise of ultimate liberation, amongst all disaffected peasants.</p>
<p>X. <strong>Fresh Meat</strong>					—	Horror:  an especial group of Sûreté investigators put together an alarming collection of facts.  All over the globe, butchers return home to find their families gone:  there are no clues, except the abductors left several hundred kilos of sausages sitting in each living room.  Marvel as the authorities take several weeks before something clicks and they call in what sausages remain for forensic examination.</p>
<p>&nbsp;<br />
&nbsp;<br />
1. Feisty<br />
2. Strong<br />
3. Fiercely-independent<br />
4. Fiercely-intelligent<br />
5. Loveable<br />
6. Tragic<br />
7. Adorable<br />
8. Enduring<br />
9. Bright<br />
10. Tough-minded</p>
<p>a) life-enhancing<br />
b) wise<br />
c) gentle-fable<br />
d) brilliant<br />
e) hilarious<br />
f) astounding<br />
g) amazing<br />
h) witty<br />
i) assured<br />
j) mythic</p>
<p>&nbsp;<br />
				Paul read this in silence.  “<em>Some of your sodding preoccupations are present</em>;”<br />
Jamie smirked.<br />
“<em>I wouldn’t talk about ‘</em><em><strong>Lovely Valkyries</strong></em>’ much if I were you.”  he continued sourly.<br />
				Jamie bit him.  At least he tried to.  Certain subjects were taboo.</p>
<p>&nbsp;<br />
<a href="http://www.serene-falcon.com/imageswp02/witchjuniorroom.jpg"><img src="http://www.serene-falcon.com/imageswp02/witchjuniorroomsmall.jpg" alt="Child Witch" /></a></p>
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		<title>Sure Of Hand</title>
		<link>http://www.serene-falcon.com/sure-of-hand/</link>
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		<pubDate>Thu, 12 Jun 2008 04:00:09 +0000</pubDate>
		<dc:creator>Claverhouse</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[High Germany]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Other Writ]]></category>
		<category><![CDATA[Self Writ]]></category>

		<guid isPermaLink="false">http://www.serene-falcon.com/?p=564</guid>
		<description><![CDATA[Jamie has this gift also, the gift of the compelling eye   &#8212;  which is not to be confused with the evil eye, nor yet witchcraft   &#8212;  which suggests to the unwary and lesser-willed the pure unreason of unobedience  [ I wish I had it... ]
She believed profoundly in [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.serene-falcon.com/category/who-wrote/self/to-know-know-know-him/">Jamie</a> has this gift also, the gift of the compelling eye   &#8212;  which is not to be confused with the evil eye, nor yet <a href="http://personal.rhul.ac.uk/uhle/001/Witches%27Sabbath.htm">witchcraft </a>  &#8212;  which suggests to the unwary and lesser-willed the pure unreason of unobedience  [ I wish I had it... ]</p>
<blockquote><p><em>She believed profoundly in herself and in the suggestions of her own imagination. So fixed and unalterable was that belief that it amounted to positive knowledge, so far as it constituted a motive of action. In her strange youth wild dreams had possessed her, and some of them, often dreamed again, had become realities to her now. Her powers were natural, those gifts which from time to time are seen in men and women, which are alternately scoffed at as impostures, or accepted as facts, but which are never understood either by their possessor or by those who witness the results. She had from childhood the power to charm with eye and hand all living things, the fascination which takes hold of the consciousness through sight and touch and word, and lulls it to sleep. It was witchery, and she was called a witch. In earlier centuries her hideous fate would have been sealed from the first day when, under her childish gaze, a wolf that had been taken alive in the Bohemian forest crawled fawning to her feet, at the full length of its chain, and laid its savage head under her hand, and closed its bloodshot eyes and slept before her.</em></p></blockquote>
<p>I was fond of F.  Marion Crawford&#8217;s <a href="http://www.gutenberg.org/files/3816/3816-h/3816-h.htm"><strong>The Witch of Prague</strong></a> as a child, and though he wasn&#8217;t prone to incident in his unelaborate plotting, few could deny the beauty of his descriptive, suggestively so, powers.</p>
<blockquote><p><em>The man introduced him into a spacious hall and closed the door, leaving him to his own reflections. The place was very wide and high and without windows, but the broad daylight descended abundantly from above through the glazed roof and illuminated every corner. He would have taken the room for a conservatory, for it contained a forest of tropical trees and plants, and whole gardens of rare southern flowers. Tall letonias, date palms, mimosas and rubber trees of many varieties stretched their fantastic spikes and heavy leaves half-way up to the crystal ceiling; giant ferns swept the polished marble floor with their soft embroideries and dark green laces; Indian creepers, full of bright blossoms, made screens and curtains of their intertwining foliage; orchids of every hue and of every exotic species bloomed in thick banks along the walls. Flowers less rare, violets and lilies of the valley, closely set and luxuriant, grew in beds edged with moss around the roots of the larger plants and in many open spaces. The air was very soft and warm, moist and full of heavy odours as the still atmosphere of an island in southern seas, and the silence was broken only by the light plash of softly-falling water.</em></p></blockquote>
<blockquote><p><em>He who has won woman in the face of daring rivals, of enormous odds, of gigantic obstacles, knows what love means; he who has lost her, having loved her, alone has measured with his own soul the bitterness of earthly sorrow, the depth of total loneliness, the breadth of the wilderness of despair. And he who has sorrowed long, who has long been alone, but who has watched the small, twinkling ray still burning upon the distant border of his desert—the faint glimmer of a single star that was still above the horizon of despair—he only can tell what utter darkness can be upon the face of the earth when that last star has set for ever. With it are gone suddenly the very quarters and cardinal points of life&#8217;s chart, there is no longer any right hand or any left, any north or south, any rising of the sun or any going down, any forward or backward direction in his path, any heaven above, or any hell below. The world has stood still and there is no life in the thick, black stillness. Death himself is dead, and one living man is forgotten behind, to mourn him as a lost friend, to pray that some new destroyer, more sure of hand than death himself, may come striding through the awful silence to make an end at last of the tormented spirit, to bear it swiftly to the place where that last star ceased to shine, and to let it down into the restful depths of an unremembering eternity. But into that place, which is the soul of man, no destroyer can penetrate; that solitary life neither the sword, nor pestilence, nor age, nor eternity can extinguish; that immortal memory no night can obscure. There was a beginning indeed, but end there can be none. </em></p></blockquote>
<p>Here also is one of his pretty short stories:  <strong><a href="http://www.vampgirl.com/lit-crawford.html">For The Blood Is The Life</a></strong></p>
<p>&nbsp;<br />
<center><img src="http://www.serene-falcon.com/imageswp02/praha_1840.jpg" alt="Karl Bridge" /></center><center><small>Charles Bridge &#8211; 1840</small></center></p>
<p>&nbsp;<br />
As to Prague itself, it was no doubt a fine city, from when it was the capital of the Old Reich to the fall of the Austro-Hungarian Empire;  yet I do have some distance from all things Czech:  excessive nationalism from when they first began their interesting practice of throwing people out of high windows and set off the most devastating war in modern history;  a wry humour allied to a smug morosity similar to that of my own people which insisted on striving for barren independent democracy;  and, of course, the depraved vengefulness which sped possibly the most unspeakable atrocities on Germans of any nation which had been under the nazi control ( after an occupation which was as collaborative as most [ they supplied superb weaponry with all their noted craftsmanship and the occupation was not as grim as in, say, Poland ] )   &#8212; here&#8217;s <a href="http://sudetengermans.freeyellow.com/WWII.html">one link</a>, but I&#8217;ve read far, far worse&#8230;  If the Russians were dreadful, they were restrained compared to some of the smaller regimes which were to become their future puppets.  Besides, they honoured the Grand Tradition by chucking Jan Masaryk   &#8212;  ghastly son of a still ghastlier father   &#8212;  out of a window&#8230;</p>
<p>&nbsp;<br />
Still Art has nothing to do with politics, and Bohemia even in it&#8217;s despicable guise of the late scarcely lamented Czechoslovakia had some severely unknown artists:<br />
here&#8217;s a site devoted to <em><a href="http://www.tfsimon.com/index1.htm">Tavik František Šimon</a></em></p>
<p><a href="http://www.serene-falcon.com/imageswp02/vilma-reading-a-book.jpg"><img src="http://www.serene-falcon.com/imageswp02/vilma-reading-a-booksmall.jpg" alt="Simon -- Vilma Reading" /></a>&nbsp;<br />
with pages upon his confreres such as <em><a href="http://www.tfsimon.com/hugo_boettinger.htm">Hugo Böttinger</a></em></p>
<p><a href="http://www.serene-falcon.com/imageswp02/new_boettinger-meisjes_bij_de_beek.jpg"><img src="http://www.serene-falcon.com/imageswp02/new_boettinger-meisjes_bij_de_beeksmall.jpg" alt="Boettinger -- three girls" /></a></p>
<p>&nbsp;<br />
Mucha is naturally well-known, yet <a href="http://goldenagecomicbookstories.blogspot.com/">Golden Age Comic Stories</a> blog has some nice examples of his work on the 8th June entry   &#8212;  for some reason I cannot link directly to posts there;  this blog has a large resource of illustrative fantasy ranging from the fascinating to the banal  [ I have to say I despise classical comic book 'art' and such genre;  and find it generally as debased and weak-minded as say it's successors in film such as <em>Star Wars</em> or <em>Star Trek</em> ].</p>
<p><a href="http://www.serene-falcon.com/imageswp02/01_mucha_icon.jpg"><br />
<img src="http://www.serene-falcon.com/imageswp02/01_mucha_iconsmall.jpg" alt="Mucha Queen" /></a></p>
<p>&nbsp;<br />
Finally, here&#8217;s another <em><a href="http://www.serene-falcon.com/the-queen-of-the-raging-host-passes-present-arms/">Perchta</a></em>&#8230;</p>
<p>[ Although I have to preface this by pointing out that the painting above the snippet, Vincent Neumann's <strong>Witch on a Broom</strong>   --- reffing to above mention of Bohemian witches...  ---  is uncannily reminiscent of Auld Scotia right up to the present time. Go into any Edinburgh pub. ]</p>
<p><a href="http://www.serene-falcon.com/imageswp02/VincentNeumannpictureofaWitchonabroom.jpg"><br />
<img src="http://www.serene-falcon.com/imageswp02/VincentNeumannpictureofaWitchonabroomsmall.jpg" alt="Neumann Witch" /></a></p>
<p>&nbsp;<br />
<strong>The White Lady von Rosenberg</strong><br />
<em>Perchta von Rosenberg, known as the White Lady, lived in the Český Krumlov castle in the 15th century. Her father, Ulrich II. von Rosenberg married her off against her will and without love to the Moravian lord Johann von Lichtenstein who was cruel to Perchta all her life. When Johann was dying he had Perchta called in and asked her for forgiveness. She refused, and her husband cursed her. Since then, the soul of the White Lady von Rosenberg has had to roam the Rosenberg castles and tends to appear before significant events. White gloves on her hand bear good tidings, whereas black gloves are a sign of impending disaster. Tales of the White Lady is a theme for many authors.</em></p>
<p>This is from the <a href="http://www.castle.ckrumlov.cz/docs/en/zamek_oinf_povest.xml"><em>Tales &#038; Legends</em></a> bit of the site of <a href="http://www.castle.ckrumlov.cz/docs/en/zamek_oinf_sthrza.xml"><strong>Český Krumlov Castle</strong></a>.</p>
<p>Apart from the fact I find the notion of forgiveness unmanly and fairly inexplicable, the trouble here is that under no rational or irrational standard can forgiveness be demanded, and why this poor girl should have to expiate her lack of pity for the brutish lout who had injured her is totally beyond me.</p>
<p>&nbsp;<br />
I blame christianity.</p>
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		<title>&#8220;Art Knows No Borders !&#8221;</title>
		<link>http://www.serene-falcon.com/art-knows-no-borders/</link>
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		<pubDate>Wed, 02 Apr 2008 20:00:30 +0000</pubDate>
		<dc:creator>Claverhouse</dc:creator>
				<category><![CDATA[Generalia]]></category>
		<category><![CDATA[Literature]]></category>
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		<description><![CDATA[Temporary ill-health precludes any capacity for thought greater than that which lesser beings need for the selection for their choice of president ( something which in any case is more decided on the grossest sentiment rather than pure reason, of course:  otherwise the leading Democrat candidates might not have the appearance of sinister liars, [...]]]></description>
			<content:encoded><![CDATA[<p>Temporary ill-health precludes any capacity for thought greater than that which lesser beings need for the selection for their choice of president ( something which in any case is more decided on the grossest sentiment rather than pure reason, of course:  otherwise the leading Democrat candidates might not have the appearance of sinister liars, and the leading Republicans   &#8212;  as they were   &#8212; that of shifty dolts ), therefore a short mélange of diverse items stored in draft without any unifying theme&#8230;.</p>
<p><strong><em>Thoughts Too Deep For Words Dept.</em>:</strong></p>
<p>A comment recently dropped on a <a href="http://blogs.sun.com/docteger/entry/what_s_in_a_name">computing blog</a>:</p>
<blockquote><p>I think christina aggulara is like more of the new version of veronica lake.She is realy insanely beautiful and i myself are doing a biography of Veronica lake.</p></blockquote>
<p>&nbsp;<br />
<center><img src="http://www.serene-falcon.com/imageswp02/vl23.jpg" alt="Veronica Lake" /></center><center><small>Veronica Lake</small></center></p>
<p>&nbsp;<br />
<strong><em>Let Them Eat Cake</em>:</strong></p>
<p>Wedding Cake of the Gothic Crows</p>
<p><a href="http://www.designsbydorian.com/Dorian/Goth_Crows_wedding_cake_top.htm"><img src="http://www.serene-falcon.com/imageswp02/Gothic-crows-db.gif" alt="Crows Wedding Cake" /></a></p>
<p>&nbsp;<br />
<strong><em>Eng Lit</em>:</strong></p>
<p>A blog with an amusing satire, <a href="http://hometown-security.blogspot.com/2007/12/chapter-one-few-months-ago.html">Hometown</a></p>
<p>&nbsp;<br />
<strong><em>Music</em>:</strong></p>
<p>From the wiki on <a href="http://en.wikipedia.org/wiki/Turbo-folk">Turbo-Folk</a>, that relentless mystical musical experience which expresses the yearning for the ideal life as perceived by the ordinary man:</p>
<blockquote><p><em>However, turbo-folk was equally popular amongst the South Slavic nations during the brutal wars of the 1990s, reflecting perhaps the common cultural sentiments of the warring sides. When a Muslim market seller in Sarajevo was asked why in the midst of a Serb shelling of the city he illegally sold CDs by turbo-folk superstar Ceca, a wife of the notorious Serbian warlord Arkan, he offered a laconic retort: &#8220;<strong>Art knows no borders!&#8221;</strong></em></p></blockquote>
<p>Two by <strong>Atomik Harmonik</strong> &#8212; for frailer spirits, <em>less is more</em> is something particularly applicable to hearty polkas, but they go nuts on this in the Balkans.</p>
<p><center><br /><img src="http://www.serene-falcon.com/audio/atomik1.jpg" alt="media" /><br />
[See post to watch Flash video]</center></p>
<p><center><br /><img src="http://www.serene-falcon.com/audio/atomik2.jpg" alt="media" /><br />
[See post to watch Flash video]</center></p>
<p>&nbsp;<br />
Finally, to combat near delirium, amongst other discoveries of things unknown, I read up on <a href="http://en.wikipedia.org/wiki/Neodymium_magnet">Neodymium Magnets</a>:  which are very powerful for their size, and can disrupt floppy disks  ( who the hell still uses floppy disks ? ), computer monitors, fingers, credit cards, and heart pacemakers.  <a href="http://www.serene-falcon.com/category/who-wrote/self/to-know-know-know-him/">Jamie</a> is conducting experiments with just one of these listed in unwitting conjunction with an elderly grouch of a neighbour.</p>
<p>&nbsp;<br />
<img src="http://www.serene-falcon.com/imageswp02/en-0_149s.jpg" alt="Fallen Angel" /></p>
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		<title>For Love Of Marie-Jeanne</title>
		<link>http://www.serene-falcon.com/for-love-of-marie-jeanne/</link>
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		<pubDate>Tue, 25 Mar 2008 03:30:12 +0000</pubDate>
		<dc:creator>Claverhouse</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Other Writ]]></category>
		<category><![CDATA[Royalism]]></category>
		<category><![CDATA[The King of Terrors]]></category>
		<category><![CDATA[War]]></category>

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		<description><![CDATA[Ivanov Seven is an excellent boys&#8217; book by Elizabeth Janeway, and regards a mid-19th century recruit into the Russian army who is fortunate enough to return home to the hills with a charming little howitzer named Katya for his very own >  which is the sort of souvenir no-one could resist;  particularly a [...]]]></description>
			<content:encoded><![CDATA[<p><strong><em>Ivanov Seven</em> is an excellent boys&#8217; book by Elizabeth Janeway, and regards a mid-19th century recruit into the Russian army who is fortunate enough to return home to the hills with a charming little howitzer named <em>Katya</em> for his very own >  which is the sort of souvenir no-one could resist;  particularly a Prussian ornate cannon that is antique bronze inscribed:</strong></p>
<p><center><img src="http://www.serene-falcon.com/imageswp02/katherinekatya.jpg" alt="Katya Gun" /></center></p>
<p><strong>Anyway, during the royalist war in the Vendée against the brutish scum of the French Republic, there was another notable piece with a sweet name.  She was a bit bigger, but just as lovable.</strong></p>
<p><strong>Really, the only engaging with life which makes the curious matter of existence endurable is to destroy republicans&#8230;  And maybe, to collect <a href="http://www.kapcannons.com/products.html">cannon</a>.  Not only for that good purpose, but just <em>because</em>&#8230;  I find myself unable to believe God created us in order that we might worship Him   &#8212;  although He would have every right so to do if He so Chose ( that&#8217;s the arbitrary and unfettered bit that is the essence of power;  which we must try to mirror, howsoever unsuccessfully here on earth, at least for His equally arbitrarily Chosen lieutenants&#8230; )   &#8212;   and His reasons for creation must remain a mystery, but fighting on the right side each time consoles us at least during each such struggle.</strong></p>
<p>&nbsp;<br />
The soldiers reassembled in large numbers, till, with Bonchamps&#8217; division, there were close on forty thousand, but destitute of powder;  the army spent the night before La Châtaigneraie, which had been re-occupied by the Republicans.  At daybreak the town was found to have been evacuated, all the Blues having fallen back on Fontenay.  The Catholic Army marched forward without delay and towards noon reached Pissotte, three-quarters of a league from Fontenay;  the Blues, to the number of ten thousand, with upwards of forty pieces of cannon, were drawn up in battle array before the town.  The priests were asked to give the men absolution before the battle.  &#8220;<em>We have no powder, boys</em>&#8220;, the generals said to them;  &#8220;<em>Come on and recapture <strong>Marie-Jeanne</strong> with your cudgels, as you did at first.  See who can run fastest, for we cannot stop to fire this time</em>.&#8221;  M. de Lescure was in command of the left wing;  his men showing a disposition to hang back, he was obliged to ride on alone forty paces ahead of them; then, pulling up, he called out &#8220;<em>Vive le Roi !</em>&#8221;  He was instantly greeted with six rounds of grapeshot, for the enemy had aimed at him as though he was the bullseye on a target;  by a veritable miracle he was not wounded, though his clothes were riddled, his left spur shot away, and also a large piece of his boot from the right calf.  Turning round he called out to the men, &#8220;<em>You see, boys, the Blues cannot shoot.  On with you !  Forward !</em>&#8221;  The men, carried away with enthusiasm, rushed forward at such a pace that my husband had to break into a quick trot in order to keep at their head. Just then the peasants, catching sight of a mission cross, fell on their knees around it, though within range of the cannon. More than thirty balls passed over their heads. At that point there were only MM. de Lescure and de Baugé on horseback. The latter would have had my husband bid them go on. &#8220;<em>No, let them finish their prayers first</em>&#8220;, he answered quietly. At length they sprang up and rushed upon the enemy. Meanwhile M. de Marigny fired off the few charges we had with good effect. M. de la Rochejaquelein had put himself at the head of the cavalry with MM. de Dommaigné and de Beaurepaire; they all displayed the utmost gallantry, while Henri distinguished himself by a judgment beyond his years. After repulsing the Repub­lican cavalry, instead of pursuing it, he fell upon the flank of the enemy&#8217;s left wing, which till then had been maintaining the fight with some success, and by so doing placed the victory beyond a doubt. I wish I could give further details with regard to the circumstances of this battle, but I can only say what I know for certain.</p>
<p>The Blues, appalled by the desperate onslaught of the Vendeans, were completely routed in three quarters of an hour. The left wing, under the command of M. de Lescure, reached the gate of the town, and he himself was the first to enter, but his men, to begin with, had not the courage to follow him. MM. de Bonchamps and Forest, spying him from a distance, dashed forward to join him ; it was high time, for he was alone and in a very perilous situation. The three officers together were rash enough to penetrate into the town, though the streets were still crowded with over four thousand Blues, who, paralysed with terror, fell on their knees and began begging for quarter. When they had reached the square they separated and took three different streets, likewise thronged with armed volunteers, to whom they cried, &#8220;<em>Surrender, down with your arms !<strong></strong></em> <em>Vive le Roi !</em><em> We will do you no harm</em>.&#8221; Scarcely had he parted from M. de Lescure, however, than M. de Bonchamps was wounded. One of the soldiers, after laying down his musket and crying for quarter like the rest, picked it up again as soon as he had passed, and fired, shooting him through the arm and fleshy part of the breast and inflicting four wounds upon him : luckily our troops were just then crowding into the town in the wake of their generals. Bonchamps&#8217; men in their fury closed in on the street and slaughtered about sixty Blues who were in it, so that the guilty one should not escape their vengeance.</p>
<p>As for M. de Lescure, he had the greatest pleasure a man can experience ; on leaving M. de Bonchamps and Forest he had taken the Street of the Prisons, which he caused.to be thrown open, to the cry of <em>Vive le Roi</em>, and flung himself into the arms of M. de la Marsonniere and the two hundred and forty prisoners confined along with him. This officer and several of the men were to have been guillotined the following morning; he had shown at his examination a nobility and greatness of character worthy of the highest praise. M. de Lescure had hastened to deliver them for fear they should be mas­sacred by the Blues, and having done so flew at once to another prison in which were confined the relations of <em>émigrés</em> and other suspected persons, to the number of over two hundred. They had viewed the battle from afar and barricaded themselves on the inside for fear of being butchered by the <em>patriots</em>. M. de Lescure knocked repeatedly, crying, &#8220;<em>Open, in the King&#8217;s name !</em>&#8221; Immediately the doors flew open, while the prison rang with cries of <em>Vive le Roi !</em> All the captives embraced M. de Lescure, but without recognizing him, even though a great many were relations or friends of his ; after telling them his name he left them, to engage in the pursuit of the <em>patriots</em> like all the other officers.</p>
<p>Forest had taken the street leading to the Niort road, and accordingly found himself at the very head. Every­one&#8217;s chief concern was to recapture <em>Marie-Jeanne</em>, the idol of the army, while the Blues, who were aware of this, used every endeavour to save her. They were already well over a league from the town. Forest had pushed forward so far that he found himself in the midst of over a hundred <em>gendarmes</em> ; fortunately he had the horse, saddle and weapons of a <em>gendarme</em> he had killed in a previous engagement, besides which, he was not dressed like a peasant and had no white cockade, and as at that time most of the Republican regiments were full of new recruits not yet in uniform, the Blues took him for one of their own men. &#8220;<em>Comrade</em>,&#8221; said one of them, clapping him on the shoulder, &#8220;<em>there is a reward of twenty-five thousand francs for those who save <strong>Marie-Jeanne</strong>; she is in danger; let us turn back and prevent her from being taken</em>.&#8221; All the Blues promptly turned back, whereupon Forest began to play the hero, declaring that he must be the foremost, and so gradually worked his way forward till he found himself leading, some way ahead, and followed only by the two boldest. When he was only a short distance from our men, he turned round with a cry of <em>Vive le Roi !</em> and killed the two Blues who were following him, while the Vendeans, recognizing him, fell upon the enemy and captured <em>Marie-Jeanne</em> who was defended by some foot. To bring the history of this gun to a conclusion, I will add that she was brought back by the soldiers in triumph to La Vendée, where, in all the villages, the women came out to meet her, embracing her and covering her with flowers and ribbons.</p>
<p>Memoirs of the Marquise de La Rochejaquelein [ trans : Cecil Biggane ]</p>
<p>&nbsp;<br />
<a href="http://www.serene-falcon.com/imageswp02/Henri_de_La_Rochejacquelein_au_combat_de_ Cholet_en_1793.jpg"><img src="http://www.serene-falcon.com/imageswp02/Henri_de_La_Rochejacquelein_au_combat_de_ Cholet_en_1793small.jpg" alt="Henri de La Rochejacquelein" /></a><center><small>Henri, Marquis de La Rochejaquelein fighting at Cholet</small></center></p>
<p><a id="more-526"></a></p>
<p>&nbsp;<br />
<strong>A/ Marie-Jeanne was a 12-pounder, one of six sisters from the Château de Richelieu.</strong></p>
<p><strong>B/ The insurgents had a wise grasp on the historic duplicity of the English and their historic lack of good faith  [ after all, the British governance was equally as, and is still, revolutionary as the American or French of then or now:  their oligarchs merely moved in a century earlier than those two others ].  Two excerpts:</strong></p>
<p>i/ M. de Tinténiac was the second son of the marquis of that name, and belonged to one of the noblest and wealthiest families in Brittany.  He was a man of thirty, of small stature, with a face that sparkled with intelligence, and his countenance did not belie him.    He carried his despatches in two double-barrelled pistols, fully loaded, in which they took the place of wads.    He was firmly resolved, if arrested, to fire all his four shots and so preserve the secret of his mission.    My father, MM. de la Rochejaquelein, de Lescure, the Bishop of Agra, des Essarts and de Béjarry were at La Boulaye.    At first they received M. de Tinténiac with some suspicion, enquiring how he came to be chosen in preference to so many other <em>émigrés</em> who belonged to that part of the country.    He replied that several had declined so dangerous a mission, while others did not happen to be within reach, and added with a noble candour :   &#8220;<em>Over and above the motives that would have prevailed with anyone else, I will not hide from you that I have had a very blameworthy youth and wished to wipe out my past follies or die in the attempt</em>.&#8221;</p>
<p>He then delivered his despatches, which were, I think, from the English minister Dundas; there were also letters from the Governor of Jersey. The despatches contained compliments on our valour together with extremely flattering offers, and expressed a wish to co­operate in the maintenance of the insurrection. Nine questions followed ; I think I can remember them more or less ; they were :—<br />
Why had we not established relations with England ? What was the real object of the revolt ? What had given rise to it ? What were our relations with the other provinces and the Allied Powers ? What was the extent of the territory in revolt ? How many men had we ? What were our resources in the way of money, provisions, clothing, cannon, muskets and powder ? How came we by them all ? In conclusion they offered to provide us with all we needed, and asked us to suggest a suitable place for a landing.</p>
<p>All the despatches were written in a tone of sincerity together with a sort of apprehension lest we should reject the help of England, since we had not asked for it; they even seemed to be doubtful, or at least not to know for certain, whether we were out and out Royalists or sup­porters of a Constitutional Monarchy or even Federalists. Everything was addressed to M. Gaston, the hairdresser of Challans of whom I have made mention, who had been the first to be named in the newspapers as a leader of the rising, and who the English thought to be the same as a M. Gaston who had commanded at Longwy in the campaign of 1792.</p>
<p>M. de Tinteniac was speedily convinced that we were Royalists pure and simple. He read our proclamation of Fontenay, reprinted at Angers, with which the English must certainly have been acquainted for all they pretended to know nothing about it, for how could a proclamation published in all the newspapers possibly have been unknown to their Government ? This proves beyond a doubt that their pretended uncertainty as to our opinions was a piece of sheer duplicity. We, for our part, per­ceiving that M. de Tinteniac was really an emigre con­fidence was established between us, and laying aside the character of English ambassador he unbosomed himself and told us the truth without reserve.</p>
<p>ii/  We were to have proceeded from Fougères to Rennes; it was our best plan, and we were on the point of adopting it, for Henri had never favoured the march on Granville; but two <em>émigrés</em>, sent by  the  English Government, arrived with the news ( which was quite true ) that there were troops at Jersey ready to support us; we must therefore do our best to capture a sea-port, and then the English would supply us with all we needed.    What chiefly decided us was the hope of securing a safe refuge where we could leave the women, children, old folk, wounded and non-combatants, amounting to about twenty thousand people, who greatly hampered the army and whose own lot was most pitiable.    By this course all these advantages appeared to be combined.<br />
I do not know the names of the two emigres who came to Fougères; they were disguised as Breton peasants, and one of them was a member of the Parliament of Brittany; they drew the English despatches out of a hollow stick. The English Cabinet, after making them the most favourable offers, asked the Vendeans what kind of government they wished to set up; <em>to which we replied that all we wanted was to restore the King to the throne, without troubling about what laws he established there­after, which was no business of ours.</em> When the two envoys had discharged their commission from the English Government, they snapped their stick in another place and took out a short letter from M. du Dresnay, one of the most important of the Breton nobles, who informed us that all the <em>émigrés</em> in Jersey were burning to join us, but that they had been deprived of their arms and all pos­sibility of getting across. [ <strong>eg: by the British</strong>. ]</p>
<p><strong>My italics in the last.  No nobler sentiment has ever been expressed on God&#8217;s Earth.  Even a non-legitimist such as Evelyn Waugh, whatever faults he may have had, never voted once in his life, because as he said magnificently:  it was not for him to advise his sovereign on whom to choose for a government.</strong></p>
<p><strong>That is what it means to be a Subject, and merely not a wretched pitiful little piece of waste as a Citizen</strong>.</p>
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		<title>Ingleside B:  Ah, But You Shudder</title>
		<link>http://www.serene-falcon.com/ingleside-a-ah-but-you-shudder/</link>
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		<pubDate>Thu, 13 Mar 2008 14:36:03 +0000</pubDate>
		<dc:creator>Claverhouse</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Melancholy]]></category>
		<category><![CDATA[Other Writ]]></category>
		<category><![CDATA[Poetry]]></category>

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		<description><![CDATA[It is absurd for fond parents to think to enlist great interest from strangers in the writhing or passive tenants of the cradle. Except in theory, this undeveloped bud must be a blank to nearly all but Father ( sometimes ), Mother and nurse always. No baby can suggest to the mind that strange thrill [...]]]></description>
			<content:encoded><![CDATA[<p>It is absurd for fond parents to think to enlist great interest from strangers in the writhing or passive tenants of the cradle. Except in theory, this undeveloped bud must be a blank to nearly all but Father ( sometimes ), Mother and nurse always. No baby can suggest to the mind that strange thrill of parental wonder until it is your own, your firstborn. To be a Father ! That is a holy name, a sweet relation, a thought full of surprise at first. So it is by the cradle in your own nursery that you must be supposed to be sitting if these musings are to find an echo in your heart. It is the evening hour; you have come in from a parish round, or from a day in the counting-house; you pass the nursery door; the curtains are drawn across the window ; there is a mellow glow and dance of firelight in the room; the nurse has gone downstairs for her mistress&#8217;s hot water; you steal in and take your seat by the cradle or the cot. Such quiet, soft breathing, such a passive tiny hand outside the counterpane: so helpless and dependent a creature; the parted lips a full-drawn Cupid&#8217;s bow; the scant silky hair; the flushed round cheek,—so soft when you stoop to kiss it,—the little clutching thumbs, and slight twitching movements of the tiny dimpled hand ; the pretty noise and motion, sucking in his dreams. Yes, there is plenty of beauty in the sight to the interested watcher. You crave soon to touch the wee passive hand; to feel its soft tendril-closing about your coarse big fore-finger, to kiss the white smooth forehead. And you pass from wonder at the little newcomer, which has settled down so confidingly and securely as a life-inmate with you, to musings about it, about its future. What will that Future be ? Oh what strange store of experiences lies before this unconscious little traveller, asleep in its bark while storms rage around it in the weary world ! What meanest thou, 0 sleeper ?   &#8212;   while we are casting out our bales, of joy, and health, and gladness, and blithe spirits, to be sucked in by the hungry sea. What meanest thou, 0 sleeper ? And yet, ah, sleep on ! For who can tell what life will bring, in the coming years, to thee ? What sadnesses   &#8212;   ( you think of these, you will notice, rather than of the joys, which come seldom, and less certainly, and fleet sooner )   &#8212;   what disillusions as life goes on; what blights, and frosts, and winds, and insects, ready for the sheets of blossom ! What strong agonies; what silent aches; and, far worse than these wholesome bitters of sorrow,  &#8212;   what experiences of sin; stains on the white unwritten page; marring worms in the unfolding bud. But what will be the completed story, when God writes <em>&#8220;Finis&#8221;</em> on the last page of the earth-portion of the everlasting history, which has here begun ? What flower will open from the bud ; resulting in what fruit, meet for the Master&#8217;s table?<br />
Ah, you shudder to think how fond Mothers and Fathers have watched by the cots and stooped over to kiss the lips of an Absalom,   &#8212;  a Nero,   &#8212;  a Judas. A monstrous growth, and no flower of beauty or fruit of use, has sprung from such tender buds. Those little pearls, which gave such interest and anxiety in the cutting, have turned out to be serpents&#8217; teeth, yea &#8221; sharper than a serpent&#8217;s tooth,&#8221; before now.   &#8212;   Hush ! such thoughts shall not have place by this innocent dear slumberer. Yet let them; for God has made it very much your responsibility, ( He tells us so, however mys­terious it must be now to us ), whether an angel of light or an angel of darkness shall finally develop out of that tender bud.</p>
<p>&nbsp;<br />
<a href="http://www.serene-falcon.com/imageswp02/inglesidebaby.jpg"><img src="http://www.serene-falcon.com/imageswp02/inglesidebabysmall.jpg" alt="Baby cot" /></a></p>
<p>&nbsp;<br />
<a href="http://www.serene-falcon.com/imageswp02/inglesidecover.jpg"><img src="http://www.serene-falcon.com/imageswp02/inglesidecoversmall.jpg" alt="ingleside cover" /></a></p>
<p>&nbsp;<br />
<a href="http://www.serene-falcon.com/imageswp02/inglesidespine.jpg"><img src="http://www.serene-falcon.com/imageswp02/inglesidespinesmall.jpg" alt="ingleside spine" /></a></p>
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		<title>Ingleside A:  Eternal Right And Order</title>
		<link>http://www.serene-falcon.com/ingleside-a-eternal-right-and-order/</link>
		<comments>http://www.serene-falcon.com/ingleside-a-eternal-right-and-order/#comments</comments>
		<pubDate>Thu, 13 Mar 2008 14:35:15 +0000</pubDate>
		<dc:creator>Claverhouse</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Melancholy]]></category>
		<category><![CDATA[Other Writ]]></category>
		<category><![CDATA[Poetry]]></category>

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		<description><![CDATA[Two posts from &#8216;Ingleside and Wayside Musings&#8216;: My copy has no titlepage, yet Google informs that this was written by the Rev. I. R. Vernon.  Whatever, the influence of Carlyle is rather manifest   &#8212;  even perhaps partaking of Carlyle&#8217;s own influence to style, the surprising Jean-Paul Richter   &#8212;  [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Two posts from &#8216;<em>Ingleside and Wayside Musings</em>&#8216;: My copy has no titlepage, yet Google informs that this was written by the Rev. I. R. Vernon.  Whatever, the influence of Carlyle is rather manifest   &#8212;  even perhaps partaking of Carlyle&#8217;s own influence to style, the surprising Jean-Paul Richter   &#8212;  allied to the natural fervency of the impassioned Victorian preacher&#8230;</strong></p>
<p>&nbsp;<br />
<a href="http://www.serene-falcon.com/imageswp02/inglestars01.jpg"><img src="http://www.serene-falcon.com/imageswp02/inglestars01small.jpg" alt="Stars through Window" /></a></p>
<p>&nbsp;<br />
<strong>STARS</strong> : These seem to  me even as the quiet thoughts of Heaven; and some similes and  meditations  may  well therefore be linked with them to introduce this hum­ble cluster of musings, a con­stellation of lesser lights, no doubt, which,   however, I would hang  somewhere,  if I may, between  earth  and heaven ; stars, I would have them, abiding   in  the   one, but still looking down upon the other.  Thoughts   re­moved from earth, but not alien from it: orbs watching and shining down upon the turmoil and the jostling, but taking no feverish or heated part in it:   &#8212;   this is the charac­ter which I would have my constellations to bear, however minute be their twinkle.     Mild light, let them give, scarce perceived through the haze; light clear and vivid through the frost; light luminous  and large now and  then,  and making a narrow quiet trembling path upon some  restless ocean underneath.    Stars with all the jewel-lights of dew-drops on a hoary autumn lawn;   jasper;   sapphire;   a chalcedony ; an emerald ; beryl; jacinth; amethyst; opals ; pearls ; all hues of diamonds, and</p>
<p><em>&#8220;One star, the chrysolite.&#8221;</em></p>
<p>For all these are to be found on   &#8212;</p>
<p><em>&#8220;Heaven&#8217;s star-sprinkled floor,&#8221;</em></p>
<p>which is our canopy.<br />
Stars.    Ay, you must wait for the quiet hours, when work is done, before you can find them ; they will not make their presence known in the busy day.    Above the dust and the heat and the turbulence, they watch on, indeed, in grave contemplation ; but they are withdrawn behind a screen of light from that carefulness and trouble about many things which goes on beneath their shining.    Stars are ever lovely ; stars watching, with their haunting eyes, over still lakes and sleeping mountains;  over hushed autumn forests and vast prairies; over interminable miles of sand, and over hedge-patterned fields, and twinkling homesteads, and nestling farms ; over the great unquiet sea, and over the heaped dead in a battle-field; over a mounded churchyard, and over a dance in a garden ;   &#8212;   they are lovely, and perhaps as it were most at home, over all the scenes of quiet, and innocent gladness, and repose.<br />
But they have to me a special charm, a charm of incon­gruity and yet of peculiar fitness, when I see them steal out one by one, or in faint clusters, into the dusking sky above the streets of a great City.   They come   &#8212;   not with any scorn or sarcasm,   &#8212;  come in their sublime ethereal stillness to look upon the thronged streets, and the glittering wares, and the  squalid back lanes;   gay Regent   Street;   noisy Cheapside ; sedate Paternoster Row ; murky Seven Dials ;-— not with any touch of sarcasm, oh no ;   &#8212;   rather with a hint of hope-in-sadness ; still more, with a revelation, a message from God;   a voice without  speech or language speaking down through the smoke and the foul exhalations and the clang and clash and roar,   &#8212;  telling of what-not that is high and pure, and ethereal and peaceful ?   Of infinity, amid that which is finite ;   of calm,  amid that  which is an  endless perturbation ; of rest, to weary toil; of peace, where there are many distractions ; of nobility, amid a whirl of mean­nesses  and low  aims ;   of Heaven to that which, having Earth&#8217;s unloveliness, is shut out from all her beauty, except that of the clouds and the sky,<br />
Still above these lower clouds and this blue atmosphere, they abide and watch, and are speechlessly eloquent; when the roar dies into a murmur, and the murmur into a few hours&#8217; broken hush, while the sin-burdened, sorrow-laden, toiling, laughing, weeping City sleeps ; over all, those grave eyes are watching. There are the casinos, with their frantic revelry, and heat, and glare; there are the dens of vice and infamy; there is the murderer with his hand raised over his victim; there are the lonely wanderers in the street, or the the rows of dark, dumb, blind houses; there is a jumble of sleeping and waking, of laughing and sobbing, of living and dying, while over all   &#8212;</p>
<p><em>&#8220;Starry tears are trembling on the mighty Midnight&#8217;s face.&#8221;</em></p>
<p>And above this close-packed speck on the world&#8217;s  plains, where there is neither elbow-room nor air-room, and where acres   are  worth millions,  there is   reminding,   but  not mockery, in the prodigal exhibiting of infinite Space, with which   &#8212;</p>
<p><em>&#8220;The night reveals Her hollow gulfs of stars.&#8221;</em></p>
<p>0 money-absorbed men in London; in Manchester;  in Liverpool; in Glasgow; wheresoever;   0 nation  of shop­keepers, more bent than ever now on earning this name ; 0 grave and honest men, shrewd  and practical, yet ever looking down, looking down; ever in a whirl of busy life, ever set  to  the grindstone of money-making; &#8212; gradually growing more and more to be mere dull drudges in the heavy cart laden with this world&#8217;s short-lived but exacting wants and whims,  requirements  and conventionalities;   0  lofty spirits, in danger of ever-growing and even eternal lessening and degradation:   &#8212;   it is for you that those Stars are set in the heaven, above your Offices and Warehouses ; it is for you that they come  from their radiant chamber when Night empties your counting-houses, and out in the streets you cannot elude them ; it is for you that they look down between the houses, over the roofs, over the courts, glittering like to fruit through the gaunt solitary tree here and there ; penetrating with their great gracious eyes your very being;   &#8212;   and oh, if you would listen,   &#8212;   and not still look only on or down, still absorbed, still absorbed;   &#8212;   if you would look up,   &#8212;   what a heart-stirring sermon you might gather from their silence ! what a lesson of vastness, contrasted with the ever-increasing pettiness of your lives ! What infinity, compared with your ends, which are growing more and more utterly finite! What a speech of Eternity, what silent bell-music, stealing over the jangling voices of Time !<br />
How ? say you the necessities of business must make an artificial code of morality, at variance with, and that must supersede, the everlasting principles of Right ? Has not   &#8212;</p>
<p><em>&#8220;The intense, clear, star-sown vault of heaven,&#8221;</em></p>
<p>a word to say about this ? As you emerge from the hot glaring office, and stand apart from the stream of men   &#8212;   ( in that recess, say, by St. Michael&#8217;s Church, Cornhill ), and look up, above the Temple-like Royal Exchange, and see those eternal Watchers; the abysses of black-blue between them ; and, across this, cast, like a light mist or scarf, the untold billions of the Milky Way; do not flimsy sophistries exhale ? can expedient Wrong ( profitable for this moment ) endure that glittering picture of eternal Right and Order ?</p>
<p>&nbsp;<br />
<a href="http://www.serene-falcon.com/imageswp02/inglesidestars02.jpg"><img src="http://www.serene-falcon.com/imageswp02/inglesidestars02small.jpg" alt="Stars" /></a></p>
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		<title>Stand Fast, Koshchei, Who Made All Things As They Are</title>
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		<pubDate>Wed, 12 Mar 2008 02:30:10 +0000</pubDate>
		<dc:creator>Claverhouse</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Other Writ]]></category>
		<category><![CDATA[Poetry]]></category>

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		<description><![CDATA[When this bright bee had departed as the other had done before him, then Toupan moved his wings, and he made ready to overlook the work of Koshchei: and in the instant that Toupan moved, the worlds in that part of the universe were dislodged and ran melting down the sky. It was Gauracy who [...]]]></description>
			<content:encoded><![CDATA[<p>When this bright bee had departed as the other had done before him, then Toupan moved his wings, and he made ready to overlook the work of Koshchei: and in the instant that Toupan moved, the worlds in that part of the universe were dislodged and ran melting down the sky. It was Gauracy who swept all the fragments together and formed a sun immeasurably larger than that which he had lost, and an obstreperous mad conflagration which did not in anything conform with the handiwork of Koshchei.<br />
And Gauracy then shouted friendlily to Toupan, &#8220;<em>Now is the hour of thy release, O Toupan ! now is the hour of the return of the Old Ones, now is the hour that Koshchei falls !</em>&#8221;<br />
Toupan answered: &#8220;<em>The hour of my release is not yet come.    But this is the hour of my overlooking</em>.&#8221;<br />
Then Gauracy bellowed, as he swept yet other worlds into the insatiable flaming of his dreadful sun,  &#8220;<em>I kindle for you a fine light to see by !</em>&#8221;<br />
And now the gods who were worshipped in those worlds which remained, these also cried out to Kosh­chei. For now, in the intolerable glare of Gauracy&#8217;s malefic sun, they showed as flimsy and incredible inven­tions. And the gods knew, moreover, that, if ever the last remaining bee were freed from the cross, the dizain of the Pleiades would be completed, and Toupan would be released, and the power of the Old Ones would return; and that a day foretold by many prophets, the day upon which every god must shave with a razor that is hired, would be at hand; and that, with the falling about of this very dreadful and ignominious necessity, the day of the divine contentment of all gods in any place would be over, for ever.<br />
Meanwhile the eyes of Toupan went forth, among the Star Warriors and the Wardens of the Worlds. It was They who, under Koshchei, had shaped the earths and the waters, and who had knit together the mountains, and who had fashioned all other things as they are. It was They who had woven the heavens, and who had placed the soul of every god within him. They were the makers of the hours and the creators of the days and the kindlers of the fires of life, and They were powers whose secret and sustaining names were not known to any of the gods of men. Yet now the eyes of Toupan went among the Star Warriors and the Wardens of the Worlds, and Toupan regarded them one by one; and wheresoever the old eyes of Toupan had rested there remained no world nor any Warden watching over it, but only, for that instant, a very little spiral of thin sluggish vapour.<br />
And those of them who were not yet destroyed cried piteously to Koshchei, who had devised Them and who had placed Them in Their stations to keep eternal watchfulness over all things as they are.<br />
Now there is no denying that, in the manner of artists, Koshchei had cleared his throat, and had fidgeted a little, in the while that Toupan was overlooking Koshchei&#8217;s handiwork. But when the Wardens and the Star Warriors cried out to him for aid, then Koshchei, lifting never a finger, said only:<br />
&#8220;<em>Eh, sirs, have patience ! For I made all things as they are; and I know now it is my safeguard that I made them in two ways</em>.&#8221;</p>
<p>James Branch Cabell : The Silver Stallion   &#8212; Chapter 16.</p>
<p>&nbsp;<br />
<center><img src="http://www.serene-falcon.com/imageswp02/crossangel.jpg" alt="Angel on Cross" /></center></p>
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