Tell me, can the joys of spring
Ever make this sadness flee,
Make the woods with music ring,
And the streamlet laugh for glee ?

When the summer moor is lit
With the pale fire of the broom,
And through green the shadows flit,
Still shall mirth give place to gloom ?

Sad shall it be, though sun be shed
Golden bright on field and flood;
E’en the heather’s crimson red
Holds the memory of blood.

Here that broken, weary band
Met the ruthless foe’s array,
Where those moss-grown boulders stand,
On that dark and fatal day.

Like a phantom hope had fled,
Love to death was all in vain,
Vain, though heroes’ blood was shed,
And though hearts were broke in twain.

Many a voice has cursed the name
Time has into darkness thrust,
Cruelty his only fame
In forgetfulness and dust.

Noble dead that sleep below,
We your valour ne’er forget;
Soft the heroes’ rest who know
Hearts like theirs are beating yet.

 
Alice Macdonell of Keppoch : Culloden Moor ( Seen in Autumn Rain )

He went past Prince’s Gate and turned. After all he had his work — ten-thirty at the office ! Road and Park and houses stared at him now in the full light of earliest morning. He turned from them into the Park and crossed to the Row side. Funny to see the Row with no horses tearing up and down, or trapesing past like cats on hot bricks, no stream of carriages, no rows of sitting people, nothing but trees and the tan track. The trees and grass, though no dew had fallen, breathed on him; and he stretched himself at full length along a bench, his hands behind his head, his hat crushed on his chest, his eyes fixed on the leaves patterned against the still brightening sky. The air stole faint and fresh about his cheeks and lips, and the backs of his hands. The first sunlight came stealing flat from trunk to trunk, birds did not sing but talked, a wood pigeon back among the trees was cooing. Soames closed his eyes, and instantly imagination began to paint, for the eyes deep down within him, pictures of her. Picture of her — standing passive in her frock flounced to the gleaming floor, while he wrote his initials on her card. Picture of her adjusting with long gloved fingers a camellia come loose in her corsage; turning for him to put her cloak on — pictures, countless pictures, and ever strange, of her face sparkling for moments, or brooding, or averse; of her cheek inclined for his kiss, of her lips turned from his lips, of her eyes looking at him with a question that seemed to have no answer; of her eyes, dark and soft over a grey cat purring in her arms; picture of her auburn hair flowing as he had not seen it yet. Ah ! but soon — but soon ! And as if answering the call of his imagination a cry — long, not shrill, not harsh exactly, but so poignant — jerked the blood to his heart. From back over there it came trailing, again and again, passionate — the lost soul’s cry of peacock in early morning; and with it there uprose from the spaces of his inner being the vision that was for ever haunting there, of her with hair unbound, of her all white and lost, yielding to his arms. It seared him with delight, swooned in him, and was gone. He opened his eyes; an early water-cart was nearing down the Row.

Soames rose and walking fast beneath the trees sought sanity.

John Galsworthy : Cry of Peacock, 1883 from On Forsyte ‘Change

Let us suppose that God does not Exist. OK then, if not thrown by eventual nothingness — which on the contrary they gleefully embrace — there’s very little to be said; and certainly nothing of eternal value: however one may as well live one’s life out as pleasantly as possible according to one’s own choices. It is tough to spend half of that time labouring at a job one detests, yet this too is not a problem for them, since they enjoy whatever weird stuff they do — such as being a professor or economist; but time runs out no matter how one uses it. If mentally unstable they may substitute Humanity as their ersatz-religion of choice, chosen solely because they happen to be human, and insist on working for and lecturing to humanity, ( and if so inclined, working for the eradication of social elements opposed to their own social philosophy of choice for the betterment of all mankind [ except those elements eradicated ] ) despite the fact that all of humanity is destined for nothingness just as much as they when time runs out. And that nothing will be left of them, their acts and thoughts, nor those of any other, when time runs out.

So let us suppose one of these: he is say, 40, that gives him roughly 40 more years of existence until he is extinguished to the point that he will never know he was extinguished or was ever alive. Not to mention that the memory of him will be as vanished as most in 10,000 years. Allowing two-thirds of time for eating, sleeping, working, worrying about money or worrying about social stability etc., that leaves 13 years of possible enjoyment. Instead he uses up this time on earth self-righteously persuading others that they will go into nothingness and unimportance with no salvation, and arguing about a deity in whom he does not believe. All the time the clock clicks to his termination and his remaining time runs out, as in a death cell. This has to be a definition of insanity: to spend the sole amount of time you will ever have, not even in anger at not going on to an afterlife, but railing against a God one thinks non-existent, hating the idea that others believe they go on, and mocking those whose faith is sure.

 
Karl Marx was one such, and despite his seminal work as a social philosopher and economist, all for an aim he believed he could never be conscious to see and which would end in nothingness itself, was largely inspired by early nineteenth century romantic rebellion against the God he didn’t believe Existed, and Whom rationally he should not have cared about in the least, as a magnificent essay by Murray N. Rothbard I have referenced elsewhere makes clear.

 
Here are lyrics to Mother Nothingness ( The Triumph Of Ubbo Sathla ) from The Vision Bleak, and some of Marx’s poetry from that essay: try and guess first…

 
Worlds I would destroy forever,
Since I can create no world;
Since my call they notice never

I shall build my throne high overhead,
Cold, tremendous shall its summit be.
For its bulwark –– superstitious dread.
For its marshal –– blackest agony.

I shall howl gigantic curses on mankind.
Ha ! Eternity ! She is an eternal grief.
Ourselves being clockwork, blindly mechanical,
Made to be foul-calendars of Time and Space,
Having no purpose save to happen, to be ruined,
So that there shall be something to ruin
If there is a Something which devours,
I’ll leap within it, though I bring the world to ruins ––
The world which bulks between me and the Abyss
I will smash to pieces with my enduring curses.
I’ll throw my arms around its harsh reality:
Embracing me, the world will dumbly pass away,
And then sink down to utter nothingness,
Perished, with no existence – that would be really living !

In the steaming morass
Of a newborn earth
Lies the formless mass
Which to all gave birth

In a sea of sludge
Of immense extend
Lies the thoughtless mass
Which is source and end

We all must follow
Into her void
To her fetid womb
We all return

Her voiceless howl
Resounds through time
From primal mud
And fenses foul

A limbless thing
Mindless and coarse
This wretches guise
Is end and source

We all must follow
Into her void
To her fetid womb
We all return

Fall through the aeons
Onward to the earth in it’s prime
Fall through the aeons
Becoming the spawn
Of the great old slime

…the leaden world holds us fast
And we are chained, shattered, empty, frightened,
Eternally chained to this marble block of Being,
… and we – We are the apes of a cold God.

[See post to watch Flash video]

The gods give everything, the infinite ones,
To their beloved, completely,
Every pleasure, the infinite ones,
Every suffering, the infinite ones, completely.

Johann Wolfgang v. Goethe
[tr. Stephen Spender]
 

“Alles gaben Götter die unendlichen
Ihren Lieblingen ganz
Alle Freuden die unendlichen
Alle Schmerzen die unendlichen ganz”.

The candles burn their sockets,
The blinds let through the day,
The young man feels his pockets
And wonders what’s to pay.

A. E. Housman : The Fairies Break Their Dances

 
Download audio file (wagnerdiefeenoverture.mp3)
Richard Wagner — Overture to The Fairies

The stag sprung up from his mossy bed
      When he caught the piercing sounds,
And the oak-boughs crash’d to his antler’d head
      As he flew from the viewless hounds;
And the falcon soar’d from her craggy height,
      Away through the rushing night !

The banner shook on its ancient hold,
      And the pine in its desert-place,
As the cloud and tempest onward roll’d
      With the din of the trampling race;
And the glens were fill’d with the laugh and shout,
      And the bugle, ringing out !

From the chieftain’s hand the wine-cup fell,
      At the castle’s festive board,
And a sudden pause came o’er the swell
      Of the harp’s triumphal chord;
And the Minnesinger’s thrilling lay
      In the hall died fast away.

The convent’s chanted rite was stay’d,
      And the hermit dropp’d his beads,
And a trembling ran through the forest-shade,
      At the neigh of the phantom steeds,
And the church-bells peal’d to the rocking blast
      As the Wild Night-Huntsman pass’d.

The storm hath swept with the chase away,
      There is stillness in the sky,
But the mother looks on her son to-day,
      With a troubled heart and eye,
And the maiden’s brow hath a shade of care
      Midst the gleam of her golden hair !

The Rhine flows bright, but its waves ere long
      Must hear a voice of war,
And a clash of spears our hills among,
      And a trumpet from afar;
And the brave on a bloody turf must lie,
      For the Huntsman hath gone by !

Felicia Hemans : The Wild Huntsman
 
 
It is a popular belief in the Odenwald, that the passing of the Wild Huntsman announces the approach of war. He is supposed to issue with his train from the ruined castle of Rodenstein, and traverse the air to the opposite castle of Schnellerts. It is confidently asserted that the sound of his phantom horses and hounds was heard by the Duke of Baden before the commencement of the last war in Germany.
 
 
 
 

 
And on your left you passed the spot
Where eight days later you were to lie,
And be spoken of as one who was not;
Beholding it with a heedless eye
As alien from you, though under its tree
You soon would halt everlastingly.

 
I drove not with you. . . . Yet had I sat
At your side that eve I should not have seen
That the countenance I was glancing at
Had a last-time look in the flickering sheen,
Nor have read the writing upon your face,
“I go hence soon to my resting-place;

 
“You may miss me then. But I shall not know
How many times you visit me there,
Or what your thoughts are, or if you go
There never at all. And I shall not care.
Should you censure me I shall take no heed
And even your praises no more shall need.”

 
True: never you’ll know. And you will not mind.
But shall I then slight you because of such ?
Dear ghost, in the past did you ever find
The thought “What profit”, move me much ?
Yet abides the fact, indeed, the same, —
You are past love, praise, indifference, blame.
 
Thomas Hardy : Your Last Drive

I fell on deeper trance. I was
         Where all the dead are hid.
They dreamed. They did not sleep, because
         They saw with lifted lid.
They worked with neither word nor pause:
         I knew not what they did.

I stood there with the dead in hell
         Dreaming, and heard no moan.
The light died, and the darkness fell
         About me like a stone.
I woke upon the midnight bell
         In God’s dream here alone.

Charles Weekes : Dreams

Wenze : Give my regards to Lu Yao

Poem was written in the 10th anniversary of Lu Yao’s death in 1992.