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	<title>Serene Falcon &#187; High Germany</title>
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	<description>Hugin and Munin, odin, woden, depression, charles I, charles the first,  royalist, royalism, legitimist, legitimism, monarchist, monarchism, jacobitism, jacobite, prussia, prussian, prussianism, art, animals, correctitude, high germany, germany, germanic, teuton, teutonism, stuart, stuarts, stuartist, stewart, stewartism, stewartist, claverhouse, claver,</description>
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		<title>Full Goth Metal Marx</title>
		<link>http://www.serene-falcon.com/full-goth-metal-marx/</link>
		<comments>http://www.serene-falcon.com/full-goth-metal-marx/#comments</comments>
		<pubDate>Tue, 13 Jul 2010 05:00:49 +0000</pubDate>
		<dc:creator>Claverhouse</dc:creator>
				<category><![CDATA[High Germany]]></category>
		<category><![CDATA[Melancholy]]></category>
		<category><![CDATA[Other Writ]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Self Writ]]></category>
		<category><![CDATA[The Building Blocks of Democracy]]></category>

		<guid isPermaLink="false">http://www.serene-falcon.com/?p=1309</guid>
		<description><![CDATA[I am always stupified by an aspect of militant atheism never remarked upon:  these curious little chaps so outraged and so angry at a non-existent God they devote time to refuting Him and belief in Him   &#8212;  for time is the one thing they cannot afford.
Let us suppose that God does [...]]]></description>
			<content:encoded><![CDATA[<p>I am always stupified by an aspect of militant atheism never remarked upon:  these curious little chaps so outraged and so angry at a non-existent God they devote <strong>time</strong> to refuting Him and belief in Him   &#8212;  for time is the one thing they cannot afford.</p>
<p>Let us suppose that God does not Exist.  OK then, if not thrown by eventual nothingness   &#8212;  which on the contrary they gleefully embrace   &#8212;  there&#8217;s very little to be said;  and certainly nothing of eternal value:  however one may as well live one&#8217;s life out as pleasantly as possible according to one&#8217;s own choices.  It is tough to spend half of that time labouring at a job one detests, yet this too is not a problem for them, since they enjoy whatever weird stuff they do   &#8212;  such as being a professor or economist;  but time runs out no matter how one uses it.  If mentally unstable they may substitute Humanity as their ersatz-religion of choice, chosen solely because they happen to be human, and insist on working for and lecturing to humanity, ( and if so inclined, working for the eradication of social elements opposed to their own social philosophy of choice for the betterment of all mankind [ except those elements eradicated ] ) despite the fact that all of humanity is destined for nothingness just as much as they when time runs out.  And that nothing will be left of them, their acts and thoughts, nor those of any other, when time runs out.</p>
<p>So let us suppose one of these:  he is say, 40, that gives him roughly 40 more years of existence until he is extinguished to the point that he will never know he was extinguished or was ever alive.  Not to mention that the memory of him will be as vanished as most in 10,000 years.  Allowing two-thirds of time for eating, sleeping, working, worrying about money or worrying about social stability etc., that leaves 13 years of possible enjoyment.  Instead he uses up this time on earth self-righteously persuading others that they will go into nothingness and unimportance with no salvation, and arguing about a deity in whom he does not believe.  All the time the clock clicks to his termination and his remaining time runs out, as in a death cell.  This has to be a definition of insanity:  to spend the <em>sole</em> amount of time you will ever have, not even in anger at not going on to an afterlife, but railing against a God <em>one thinks non-existent</em>, hating the idea that others believe they go on, and mocking those whose faith is sure.</p>
<p>&nbsp;<br />
Karl Marx was one such, and despite his seminal work as a social philosopher and economist, all for an aim he believed he could never be conscious to see and which would end in nothingness itself, was largely inspired by early nineteenth century romantic rebellion against the God he didn&#8217;t believe Existed, and Whom rationally he should not have cared about in the least, as a magnificent essay by <a href="http://www.marketoracle.co.uk/Article14535.html">Murray N. Rothbard</a> I have referenced <a href="http://intpforum.com/showpost.php?p=178788&#038;postcount=9">elsewhere</a> makes clear.</p>
<p>&nbsp;<br />
Here are lyrics to <em>Mother Nothingness ( The Triumph Of Ubbo Sathla  )</em> from <strong>The Vision Bleak</strong>, and some of Marx&#8217;s poetry from that essay:  try and guess first&#8230;</p>
<p>&nbsp;<br />
Worlds I would destroy forever,<br />
Since I can create no world;<br />
Since my call they notice never</p>
<p>I shall build my throne high overhead,<br />
Cold, tremendous shall its summit be.<br />
For its bulwark –&#8211; superstitious dread.<br />
For its marshal –&#8211; blackest agony.</p>
<p>I shall howl gigantic curses on mankind.<br />
Ha ! Eternity ! She is an eternal grief.<br />
Ourselves being clockwork, blindly mechanical,<br />
Made to be foul-calendars of Time and Space,<br />
Having no purpose save to happen, to be ruined,<br />
So that there shall be something to ruin<br />
If there is a Something which devours,<br />
I&#8217;ll leap within it, though I bring the world to ruins &#8211;–<br />
The world which bulks between me and the Abyss<br />
I will smash to pieces with my enduring curses.<br />
I&#8217;ll throw my arms around its harsh reality:<br />
Embracing me, the world will dumbly pass away,<br />
And then sink down to utter nothingness,<br />
Perished, with no existence – that would be really living !</p>
<p>In the steaming morass<br />
Of a newborn earth<br />
Lies the formless mass<br />
Which to all gave birth</p>
<p>In a sea of sludge<br />
Of immense extend<br />
Lies the thoughtless mass<br />
Which is source and end</p>
<p>We all must follow<br />
Into her void<br />
To her fetid womb<br />
We all return</p>
<p>Her voiceless howl<br />
Resounds through time<br />
From primal mud<br />
And fenses foul</p>
<p>A limbless thing<br />
Mindless and coarse<br />
This wretches guise<br />
Is end and source</p>
<p>We all must follow<br />
Into her void<br />
To her fetid womb<br />
We all return</p>
<p>Fall through the aeons<br />
Onward to the earth in it&#8217;s prime<br />
Fall through the aeons<br />
Becoming the spawn<br />
Of the great old slime</p>
<p>…the leaden world holds us fast<br />
And we are chained, shattered, empty, frightened,<br />
Eternally chained to this marble block of Being,<br />
… and we – We are the apes of a cold God.</p>
<p>&nbsp;<br />
<a href="http://www.serene-falcon.com/imageswp02/harpistofdestruction.jpg"><img src="http://www.serene-falcon.com/imageswp02/harpistofdestructionsmall.jpg" alt="Harpist of Destruction" /></a></p>
<p>&nbsp;<br />
&nbsp;</p>
<p><center><br /><img src="http://www.serene-falcon.com/audio02/mother-nothingness.png" alt="media" /><br />
[See post to watch Flash video]</center><br />
<center><small>The Vision Bleak &#8212; Mother Nothingness ( The Triumph Of Ubbo Sathla  )</small></center></p>
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		<item>
		<title>To Attach The Electrodes Of Knowledge To The Nipples Of Ignorance</title>
		<link>http://www.serene-falcon.com/to-attach-the-electrodes-of-knowledge-to-the-nipples-of-ignorance/</link>
		<comments>http://www.serene-falcon.com/to-attach-the-electrodes-of-knowledge-to-the-nipples-of-ignorance/#comments</comments>
		<pubDate>Sun, 16 May 2010 07:00:42 +0000</pubDate>
		<dc:creator>Claverhouse</dc:creator>
				<category><![CDATA[Correctitude]]></category>
		<category><![CDATA[High Germany]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Manners not Morals]]></category>
		<category><![CDATA[Other Writ]]></category>

		<guid isPermaLink="false">http://www.serene-falcon.com/?p=1241</guid>
		<description><![CDATA[Frederick Schlegel ( and after him Coleridge ) aptly indicated a distinction, when he said that every man was born either a Platonist or an Aristotelian. This distinction is often expressed in the terms subjective and objective intellects. Perhaps we shall best define these by calling the objective intellect one that is eminently impersonal, and [...]]]></description>
			<content:encoded><![CDATA[<p>Frederick Schlegel ( and after him Coleridge ) aptly indicated a distinction, when he said that every man was born either a Platonist or an Aristotelian. This distinction is often expressed in the terms <em>subjective</em> and <em>objective</em> intellects. Perhaps we shall best define these by calling the objective intellect one that is eminently <em>impersonal</em>, and the subjective intellect one that is eminently <em>personal</em>;  the former disengaging itself as much as possible from its own prepossessions, striving to see and represent objects as they exist;  the other viewing all objects in the light of its own feelings and preconceptions.  It is needless to add that no mind is exclusively objective or exclusively subjective, but every mind has a more or less dominant tendency in one or the other of these directions. We see the contrast in Philosophy, as in Art.  The realist argues from Nature upwards, argues inductively, starting from reality, and never long losing sight of it; even in the adventurous flights of hypothesis and speculation, being desirous that his hypothesis shall correspond with realities.  The idealist argues from an Idea downwards, starting from some conception, and seeking in realities only visible illustrations of a deeper existence.  The achievements of modern Science, and the masterpieces of Art, prove that the grandest generalisations and the most elevated types can only be reached by the former method;  and that what is called the &#8220;ideal school,&#8221; so far from having the superiority which it claims, is only more lofty in its <em>pretensions</em>;  the realist, with more modest pretensions, achieves loftier results.  The Objective and Subjective, or as they are also called, the Real and the Ideal, are thus contrasted as the termini of two opposite lines of thought. In Philosophy, in Morals and in Art, we see a constant antagonism between these two principles. Thus in Morals the Platonists are those who seek the highest morality <em>out</em> of human nature, instead of in the healthy development of all human tendencies, and their due co-ordination; they hope, in the <em>suppression</em> of integral faculties, to attain some superhuman standard. They call that Ideal which no Reality can reach, but for which we should strive. They superpose <em>ab extra</em>, instead of trying to develop <em>ab intra</em>. They draw from their own minds, or from the dogmas handed to them by tradition, an arbitrary mould, into which they attempt to fuse the organic activity of Nature.</p>
<p>If this school had not in its favor the imperious instinct of Progress, and aspiration after a better, it would not hold its ground. But it satisfies that craving, and thus deludes many minds into acquiescence. The poetical and enthusiastic disposition most readily acquiesces : preferring to overlook what man is, in its delight of contemplating what the poet makes him. To such a mind all conceptions of Man must have a halo round them, &#8212; half mist, half sunshine; the hero must be a Demigod, in whom no <em>valet de chambre</em> can find a failing ; the villain must be a Demon, for whom no charity can find an excuse.</p>
<p>Not to extend this to a dissertation, let me at once say that Goethe belonged to the <em>objective</em> class.&#8221;&#8216;<em>Everywhere in Goethe</em>,&#8221;said Franz Horn, &#8220;<em>you are on firm land or island ; nowhere the infinite sea</em>.&#8217; A better characterization was never written in one sentence. In every page of his works may be read a strong feeling for the real, the concrete, the living; and a repugnance as strong for the vague, the abstract, or the supersensuous. His constant striving was to study Nature, so as to see her <em>directly</em>, and not through the mists of fancy, or through the distortions of prejudice, &#8212; to look at men, and <em>into</em> them, &#8212; to apprehend things as they were. In his conception of the universe he could not separate God <em>from</em> it, placing Him above it, beyond it, as the philosophers did who represented God whirling the universe round His finger, &#8220;<em>seeing it go</em>.&#8221; Such a conception revolted him. He animated the universe with God ; he animated fact with divine life ; he saw in Reality the incarnation of the Ideal; he saw in Morality the high and harmonious action of all human tendencies ; he saw in Art the highest representation of Life.</p>
<p>George Henry Lewes : The Life &#038; Works of Goethe</p>
<p>&nbsp;</p>
<p>&nbsp;<br />
<a href="http://www.serene-falcon.com/imageswp02/marisabroomslumber-by-Aoblue.jpg"><img src="http://www.serene-falcon.com/imageswp02/marisabroomslumber-by-Aobluesmall.jpg" alt="Marisa Kirisame Sleeping in the Air" /></a><br />
<center><small>AoBlue &#8212;  Marisa Kirisame sleeping on the Air</small></center><br />
&nbsp;</p>
<p><small>Title from <strong>Third Rock From The Sun</strong>.</small><small></small></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>With His Peculiar Look And Emphasis</strong></p>
<p>As an extra&#8230;  Lewes in a footnote adds a personal note of the old loon Carlyle:</p>
<p>&#8216;I remember once, as we were walking along Piccadilly, talking about the infamous <em><strong>Büchlein von Goethe</strong></em>, Carlyle stopped suddenly, and with his peculiar look and emphasis, said, &#8220;<em>Yes, it is the wild cry of amazement on the part of all spooneys that the Titan was not a spooney too !  Here is a god-like intellect, and yet you see he is not an idiot !  Not in the least a spooney !</em>&#8221;</p>
<p>&nbsp;<br />
Readers not current in early 19th century England may note that &#8216;<em>Spooney</em>&#8216; means soppy, soft, wet:  sissies, but not <em>necessarily</em> including the present-day connotation of sexual maladaption.</p>
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		<title>A Tabernacle To Æsop</title>
		<link>http://www.serene-falcon.com/a-tabernacle-to-%c3%a6sop-2/</link>
		<comments>http://www.serene-falcon.com/a-tabernacle-to-%c3%a6sop-2/#comments</comments>
		<pubDate>Sun, 25 Apr 2010 13:00:25 +0000</pubDate>
		<dc:creator>Claverhouse</dc:creator>
				<category><![CDATA[Animals]]></category>
		<category><![CDATA[Correctitude]]></category>
		<category><![CDATA[High Germany]]></category>
		<category><![CDATA[Other Writ]]></category>
		<category><![CDATA[Places]]></category>

		<guid isPermaLink="false">http://www.serene-falcon.com/?p=1231</guid>
		<description><![CDATA[About this time, as a relief from the graver matters which claimed his attention, Luther engaged in the occupation of turning.  In a letter to Wenceslas Link, he begs his friend to purchase for him the necessary tools at Nuremburg&#8230;  Luther returns his acknowledgements in a letter in which his characteristic gaiety of [...]]]></description>
			<content:encoded><![CDATA[<p>About this time, as a relief from the graver matters which claimed his attention, Luther engaged in the occupation of turning.  In a letter to Wenceslas Link, he begs his friend to purchase for him the necessary tools at Nuremburg&#8230;  Luther returns his acknowledgements in a letter in which his characteristic gaiety of expression is apparent.  </p>
<p>&#8220;<em>We have received the turning tools, the quadrant, the cylinder, and the wooden clock.  We greatly thank you for the trouble you have taken.  One thing, however, you forgot:  you did not mention how much more you expended, for the money I sent</em> [ One guilder ] <em>could not have been enough.  For the present, we have got all we need, except you could send us some new machinery, which will turn by itself when Wolfgang is lazy or sleepy.  The clock suits me perfectly, especially for showing the time to my drunken Saxons, who look more to the bottle than the hour, caring but little whether the sun, or the clock, or its hands show wrong</em>.&#8221;</p>
<p>Wolfgang had been for some years in Luther&#8217;s service, and remained with him throughout his life.  He was a worthy, honest fellow, devotedly attached to his master, and possessed but one failing, a frequent propensity to go to sleep over his work.  This unconquerable drowsiness was often the subject of Luther&#8217;s mock complaint.  The master, with his own immense capacity for work without much interval for rest, was amused by the dull, heavy somnolence of his honest <em>famulus</em>.  On one occasion, Wolfgang built a floor, and upon it fixed a contrivance for catching birds.  Luther, whose nature was loving and feeling as that of a child, did not approve of this plan to entrap the feathered songsters, and drew out a Bird&#8217;s Indictment against their foe.  The birds besought Luther&#8217;s protection against Wolfgang, whose sleepiness, they said, maliciously, everybody knew, as he never left his bed until eight o&#8217;clock in the morning; they required that every evening he should spread grain for their morning meal, as they rose up hours before him;  and that his attention throughout the day should be devoted to catching frogs, snails, daws, mice and other pests, whereby he would be enabled to gratify his destructive instincts, without endeavouring to ensnare the poor birds, whose songs fully paid for the little grain they consumed.  The Bird&#8217;s Petition, brimful of soft pleadings on behalf of one of the Creator&#8217;s sweetest gifts to charm the ears of that lordly creature, Man, concluded with a threat that if Wolfgang, their enemy, did not mend his ways, they ( the birds ) would pray to God to cause fleas and other insects to crawl about him at night, and torment him beyond endurance.</p>
<p>Luther took great delight in the simple happiness to be gained in his garden, cultivating the flowers, listening to the plashing of the waters of the fountain he had himself erected, to the singing of the birds, and to the gambols of the fish in a small pond.  These small matters often took from his mind much of the trouble and anxiety inseparable from his position, and broke the hard intensity of intellectual and spiritual care.</p>
<p>&nbsp;</p>
<p><a href="http://www.serene-falcon.com/imageswp02/Coburg_Veste_von_Suedwest_klein.jpg"><img src="http://www.serene-falcon.com/imageswp02/Coburg_Veste_von_Suedwest_kleinsmall.jpg" alt="Coburg Castle" /></a></p>
<p>&nbsp;</p>
<p>&#8230;on the 3rd of April [ 1530 ], the Elector, unarmed and accompanied by one hundred and sixty horsemen, set out from Torgau on his way to meet the Emperor at Augsburg.  Luther, Melanchthon, Jonas, Agricola, and Spalatin were with him.  When they reached Coburg, the Elector directed Luther to remain there.  The ban of the Empire prevented his appearance at the Diet.  Without hesitation Luther obeyed the command of his prince.  He proceeded to the fortress of Coburg, where he remained during the time of the proceedings at Augsburg.  The elector with his followers reached Augsburg on the 2nd of May, and there awaited the arrival of the Emperor, which did not take place until the 15th of June.  Luther, from the castle, wrote constantly to the Elector, to Spalatin, and to Melanchthon.  The solitude and inaction to which he was constrained to submit were irksome and distressing.  Writing to Melanchthon on the 22nd April he says:  &#8220;<em>I have arrived at my Sinai; but of this Sinai I will make a Sion:  I will raise thereon three Tabernacles, one to the Psalmist, another to the Prophets, and lastly, one to Æsop&#8230;</em>&#8221;  He was at this time engaged in the translation of these fables.</p>
<p>&nbsp;<br />
<a href="http://www.serene-falcon.com/imageswp02/caspar-tree-of-crowsmain.jpg"><img src="http://www.serene-falcon.com/imageswp02/caspar-tree-of-crowsmainsmall.jpg" alt="Elsheimer - Ruin" /></a><br />
<center><small>Caspar Friedrich  &#8212;  The Tree of Crows</small></center><br />
<small>* Colour alternates</small><br />
&nbsp;<br />
&#8220;<em>There is nothing here to prevent my solitude from being complete.  I live in a vast abode which overlooks the castle;  I have the keys of all its apartments.  There are scarcely thirty persons within the fortress, of whom twelve are watchers by night, and two other sentinels, constantly posted on the castle heights.</em>&#8221;  </p>
<p>On the 9th of May he wrote to Spalatin an amusing account of the rooks and jackdaws, the denizens of the wood beneath the elevated part of the castle in which he lived.  </p>
<p>&#8220;<em>I am here in the midst of another diet, in the presence of the magnanimous sovereigns, dukes, grandees, and nobles of a kind different to those at Augsburg.  Mine confer together upon State affairs with all the gravity of demeanour;  they fill the air with unceasing voice, promulgating their decrees and their preachings.  They do not seat themselves shut up in those royal caverns, you call palaces, but they hold their councils in the light of the sun, having the heavens for a canopy, and, for a carpet, the rich and varied verdure of the trees, on which they are congregated in liberty;  the only limits to their domains being the boundaries of the earth. The stupid display of silk and gold inspires them with horror.  They are all alike, in colour as in countenance   &#8212;  black.  Nor is their note different one from the other;  the only dissonance being the agreeable contrast between the voices of the young and the deeper tones of their parents.  In no instance have I ever heard them speak of an Emperor;  they disdain with sovereign contempt the horse which is so indispensible to our cavaliers;  they have a far better means of mocking the fury of cannon.  In so far as I have been able to comprehend their decrees, they have determined to wage an incessant war during the present year against barley, corn, and grain of all sorts;  in short, against all that is most enticing and agreeable amongst the fruits and products of the earth.  It is much to be feared that they may become conquerors wherever they direct their efforts;  for they are a race of combatants, wily and adroit;  equally successful in their attempts to plunder, by force or by surprise.  As for me, I am an idle spectator, assisting willingly, and with much satisfaction at their consultations.  But enough of jesting !  Jesting which is, however, sometimes necessary to dispel the gloomy thoughts which overwhelm me</em>.&#8221;  </p>
<p>The clamour of the rooks and crows, by which, as in another letter he wrote, &#8220;<em>they charitably intend to bring sleep gently to my eyelids</em>,&#8221; was not altogether successful in diverting his attention from the grave business of the diet.</p>
<p>John Rae : Martin Luther  &#8212; Student, Monk, Reformer</p>
<p>&nbsp;</p>
<p>&nbsp;<br />
<a href="http://www.serene-falcon.com/imageswp02/Adam_Elsheimer_006.jpg"><img src="http://www.serene-falcon.com/imageswp02/Adam_Elsheimer_006small.jpg" alt="Elsheimer - Ruin" /></a></p>
<p>&nbsp;<br />
*<br />
<em>Note that the <strong>More tag </strong>no longer works on this particular blog &#8211; it destroys the lay-out: for which lack we apologise&#8230;</em><br />
&nbsp;</p>
<p>&nbsp;<br />
<a href="http://www.serene-falcon.com/imageswp02/caspar-tree-dark-alternate.jpg"><img src="http://www.serene-falcon.com/imageswp02/caspar-tree-dark-alternatesmall.jpg" alt="Caspar Tree of Crows darker" /></a></p>
<p>&nbsp;<br />
<a href="http://www.serene-falcon.com/imageswp02/caspar-tree-light-alternate.jpg"><img src="http://www.serene-falcon.com/imageswp02/caspar-tree-light-alternatesmall.jpg" alt="Caspar Tree of Crows lighter" /></a></p>
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		<title>Unendlichen</title>
		<link>http://www.serene-falcon.com/unendlichen/</link>
		<comments>http://www.serene-falcon.com/unendlichen/#comments</comments>
		<pubDate>Fri, 16 Apr 2010 21:00:28 +0000</pubDate>
		<dc:creator>Claverhouse</dc:creator>
				<category><![CDATA[Correctitude]]></category>
		<category><![CDATA[High Germany]]></category>
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		<guid isPermaLink="false">http://www.serene-falcon.com/?p=1076</guid>
		<description><![CDATA[    THE GODS GIVE EVERYTHING
The gods give everything, the infinite ones,
To their beloved, completely,
Every pleasure, the infinite ones,
Every suffering, the infinite ones, completely.
Johann Wolfgang v. Goethe
    [tr. Stephen Spender]
&#160;
&#160;

&#160;
&#160;
&#8220;Alles gaben Götter die unendlichen
Ihren Lieblingen ganz
Alle Freuden die unendlichen
Alle Schmerzen die unendlichen ganz&#8221;. 
]]></description>
			<content:encoded><![CDATA[<p>    THE GODS GIVE EVERYTHING</p>
<p>The gods give everything, the infinite ones,<br />
To their beloved, completely,<br />
Every pleasure, the infinite ones,<br />
Every suffering, the infinite ones, completely.</p>
<p>Johann Wolfgang v. Goethe<br />
    [tr. Stephen Spender]<br />
&nbsp;</p>
<p>&nbsp;<br />
<center><img src="http://www.serene-falcon.com/imageswp02/aesir-girl.jpg" alt="AEsir Girl" /></center></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&#8220;Alles gaben Götter die unendlichen<br />
Ihren Lieblingen ganz<br />
Alle Freuden die unendlichen<br />
Alle Schmerzen die unendlichen ganz&#8221;. </p>
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		<title>The Silver Sail Of Dawn</title>
		<link>http://www.serene-falcon.com/the-silver-sail-of-dawn/</link>
		<comments>http://www.serene-falcon.com/the-silver-sail-of-dawn/#comments</comments>
		<pubDate>Tue, 13 Apr 2010 21:30:25 +0000</pubDate>
		<dc:creator>Claverhouse</dc:creator>
				<category><![CDATA[High Germany]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Other Writ]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.serene-falcon.com/?p=1161</guid>
		<description><![CDATA[The fairies break their dances
And leave the printed lawn,
And up from India glances
The silver sail of dawn.
The candles burn their sockets,
The blinds let through the day,
The young man feels his pockets
And wonders what’s to pay.
A. E. Housman : The Fairies Break Their Dances
&#160;
Download audio file (wagnerdiefeenoverture.mp3)
Richard Wagner  &#8212;  Overture to The Fairies
&#160;
&#160;

-George Cruikshank [...]]]></description>
			<content:encoded><![CDATA[<p>The fairies break their dances<br />
And leave the printed lawn,<br />
And up from India glances<br />
The silver sail of dawn.</p>
<p>The candles burn their sockets,<br />
The blinds let through the day,<br />
The young man feels his pockets<br />
And wonders what’s to pay.</p>
<p>A. E. Housman : The Fairies Break Their Dances</p>
<p>&nbsp;<br />
<a href="http://www.serene-falcon.com/audio02/wagnerdiefeenoverture.mp3">Download audio file (wagnerdiefeenoverture.mp3)</a><br />
<small><em>Richard Wagner  &#8212;  Overture to <strong>The Fairies</strong></em></small></p>
<p>&nbsp;<br />
&nbsp;<br />
<a href="http://www.serene-falcon.com/imageswp02/AFantasy,TheFairyRing-GeorgeCruikshank-c1850.jpg"><img src="http://www.serene-falcon.com/imageswp02/AFantasy,TheFairyRing,GeorgeCruikshank-c1850small.jpg" alt="Fairy Ring" /></a><br />
<center><small>-George Cruikshank &#8212; A Fantasy -The Fairy Ring</small></center></p>
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		<title>The Pleasure Was Enhanced</title>
		<link>http://www.serene-falcon.com/the-pleasure-was-enhanced/</link>
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		<pubDate>Sat, 03 Apr 2010 23:30:33 +0000</pubDate>
		<dc:creator>Claverhouse</dc:creator>
				<category><![CDATA[Correctitude]]></category>
		<category><![CDATA[High Germany]]></category>
		<category><![CDATA[Manners not Morals]]></category>
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		<category><![CDATA[War]]></category>

		<guid isPermaLink="false">http://www.serene-falcon.com/?p=1147</guid>
		<description><![CDATA[Great was the excitement in Paris when it was announced the King of Prussia and the Tsar would arrive in close succession at the beginning of June [1867].  Although the latter was the real guest of honour ( high politics decreed it so ), it was King Wilhelm of Prussia and his massive Chancellor, [...]]]></description>
			<content:encoded><![CDATA[<p>Great was the excitement in Paris when it was announced the King of Prussia and the Tsar would arrive in close succession at the beginning of June [1867].  Although the latter was the real guest of honour ( high politics decreed it so ), it was King Wilhelm of Prussia and his massive Chancellor, Count von Bismarck, who attracted all eyes.  On the train they passed positions the old King had occupied in 1814, when he had contributed to the downfall of his present host&#8217;s uncle.  Though some Parisians detected a note of typical Teutonic tactlessness as the King complimented, ecstatically, on <strong><em>&#8216;what marvellous things you have done since I was last here !&#8217;</em></strong>, on the whole they thought his behaviour quite unexceptionable.  In fact he stole many hearts by his kindly display of affection for the fragile Prince Impérial, then recovering from an illness.  A comfortable figure projecting an image of some benevolent country squire, he set the nervous French at ease, and indeed seemed utterly at ease himself;  as someone remarked uncharitably after the event, he explored Paris as if intending to come back there one day.</p>
<p>Even the terrible Bismarck, whose great stature made Wickham Hoffman of the U.S. Legation think of Agamemnon, positively glowed with goodwill.  Beauties of Paris society surrounded him. admired his dazzling White Cuirassier unform and the enormous spread eagle upon his shining helmet, and attempted to provoke him;  but in vain.  In conversation with Louis-Napoleon, he dismissed last year&#8217;s Austro-Prussian war as belonging to another epoch, and added amiably <strong><em>&#8216;Thanks to you no permanent cause of rivalry exists between us and the Court at Vienna&#8217;</em></strong>.  The festive atmosphere temporarily obscured the full menace of this remark.</p>
<p>On April 12th, the Emperor attended the première of one of the great entertainments to be produced in honour of his Royal guests:  Offenbach&#8217;s <em>La Grande Duchesse de Gérolstein</em>&#8230;</p>
<p>&#8230;Now here was this new triumph about the amorous Grand Duchess of a joke German principality, embarking on a pointless war because its Chancellor, Baron Puck, needed a diversion.  Its forces were led by a joke German general called Boum, as incapable as he was fearless, who invigorated himself with the smell of gunpowder by periodically firing off his pistol into the air.  The farce, tallying so closely with Europe&#8217;s private view of the ridiculous Teutons, was too obvious to be missed.  When the Tsar came to see it, his box was said to have rung with unroyal laughter.  Between gusts of mirth, members of the French court peeped over at Bismarck&#8217;s expression, half in malice, half in apprehension, wondering if perhaps King Wilhelm&#8217;s lack of tact about his previous visit to Paris had not been revenged to excess.  But nobody appeared to be showing more obvious and unrestrained pleasure than the Iron Chancellor himself;  one might almost have suspected that the pleasure was enhanced by the enjoyment of some secret joke of his own.</p>
<p>Alistair Horne   :  The Fall of Paris</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><a href="http://www.serene-falcon.com/imageswp02/prussian-colours-girl.jpg"><img src="http://www.serene-falcon.com/imageswp02/prussian-colours-girlsmall.jpg" alt="Girl with Prussian Colours" /></a></p>
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		<title>Jamie First &amp; Saxt</title>
		<link>http://www.serene-falcon.com/jamie-first-saxt/</link>
		<comments>http://www.serene-falcon.com/jamie-first-saxt/#comments</comments>
		<pubDate>Fri, 12 Mar 2010 22:30:21 +0000</pubDate>
		<dc:creator>Claverhouse</dc:creator>
				<category><![CDATA[Correctitude]]></category>
		<category><![CDATA[High Germany]]></category>
		<category><![CDATA[Manners not Morals]]></category>
		<category><![CDATA[Other Writ]]></category>
		<category><![CDATA[Royalism]]></category>
		<category><![CDATA[Stuarts]]></category>

		<guid isPermaLink="false">http://www.serene-falcon.com/?p=984</guid>
		<description><![CDATA[Frederick now asked his father-in-law, as a parting gift to him, to grant liberty to one of the unhappy band of political prisoners whose lifelong detention in the Tower was a public scandal.  His candidate was the least obnoxious possible.  Lord Grey de Wilton, the young Puritan noble who had been condemned to [...]]]></description>
			<content:encoded><![CDATA[<p><em>Frederick now asked his father-in-law, as a parting gift to him, to grant liberty to one of the unhappy band of political prisoners whose lifelong detention in the Tower was a public scandal.  His candidate was the least obnoxious possible.  Lord Grey de Wilton, the young Puritan noble who had been condemned to death for participation in the Bye Plot, had been now immured for ten years, and his spirit was reported much broken.  Frederick made his request, and caught a terrifying glimpse of a James Stuart hitherto unknown to him, not the Princess Elizabeth’s “dear dad”, learned, lax and loving, but the James Stuart of the Gowrie Conspiracy and Gunpowder Plot.</em></p>
<p>Carola Oman : Elizabeth of Bohemia.<br />
&nbsp;</p>
<p>&nbsp;</p>
<p><a href="http://www.serene-falcon.com/imageswp02/rawr.jpg"><img src="http://www.serene-falcon.com/imageswp02/rawrsmall.jpg" alt="Kitten Staring" /></a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>And just to drive home a point with icy charm&#8230;<br />
&nbsp;</p>
<p><em>James’s eventual dismissal of Frederick’s suit was well calculated to crush a nervous youth.  “<strong>Son, when I come into Germany I will promise you not to importune you for any of your prisoners</strong>&#8220;</em>”.</p>
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		<title>And The Falcon Soared</title>
		<link>http://www.serene-falcon.com/and-the-falcon-soared/</link>
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		<pubDate>Wed, 10 Mar 2010 01:30:26 +0000</pubDate>
		<dc:creator>Claverhouse</dc:creator>
				<category><![CDATA[High Germany]]></category>
		<category><![CDATA[Norse]]></category>
		<category><![CDATA[Odin]]></category>
		<category><![CDATA[Other Writ]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[The King of Terrors]]></category>

		<guid isPermaLink="false">http://www.serene-falcon.com/?p=1018</guid>
		<description><![CDATA[THY  rest was deep at the slumberer&#8217;s hour
&#160; &#160; &#160; If thou didst not hear the blast
Of the savage horn, from the mountain-tower,
&#160; &#160; &#160; As the Wild Night-Huntsman pass&#8217;d,
And the roar of the stormy chase went by,
&#160; &#160; &#160; Through the dark unquiet sky !
The stag sprung up from his mossy bed
&#160; &#160; [...]]]></description>
			<content:encoded><![CDATA[<p>THY  rest was deep at the slumberer&#8217;s hour<br />
&nbsp; &nbsp; &nbsp; If thou didst not hear the blast<br />
Of the savage horn, from the mountain-tower,<br />
&nbsp; &nbsp; &nbsp; As the Wild Night-Huntsman pass&#8217;d,<br />
And the roar of the stormy chase went by,<br />
&nbsp; &nbsp; &nbsp; Through the dark unquiet sky !</p>
<p>The stag sprung up from his mossy bed<br />
&nbsp; &nbsp; &nbsp; When he caught the piercing sounds,<br />
And the oak-boughs crash&#8217;d to his antler&#8217;d head<br />
&nbsp; &nbsp; &nbsp; As he flew from the viewless hounds;<br />
And the falcon soar&#8217;d from her craggy height,<br />
&nbsp; &nbsp; &nbsp; Away through the rushing night !</p>
<p>The banner shook on its ancient hold,<br />
&nbsp; &nbsp; &nbsp; And the pine in its desert-place,<br />
As the cloud and tempest onward roll&#8217;d<br />
&nbsp; &nbsp; &nbsp; With the din of the trampling race;<br />
And the glens were fill&#8217;d with the laugh and shout,<br />
&nbsp; &nbsp; &nbsp; And the bugle, ringing out !</p>
<p>From the chieftain&#8217;s hand the wine-cup fell,<br />
&nbsp; &nbsp; &nbsp; At the castle&#8217;s festive board,<br />
And a sudden pause came o&#8217;er the swell<br />
&nbsp; &nbsp; &nbsp; Of the harp&#8217;s triumphal chord;<br />
And the Minnesinger&#8217;s thrilling lay<br />
&nbsp; &nbsp; &nbsp; In the hall died fast away.</p>
<p>The convent&#8217;s chanted rite was stay&#8217;d,<br />
&nbsp; &nbsp; &nbsp; And the hermit dropp&#8217;d his beads,<br />
And a trembling ran through the forest-shade,<br />
&nbsp; &nbsp; &nbsp; At the neigh of the phantom steeds,<br />
And the church-bells peal&#8217;d to the rocking blast<br />
&nbsp; &nbsp; &nbsp; As the Wild Night-Huntsman pass&#8217;d.</p>
<p>The storm hath swept with the chase away,<br />
&nbsp; &nbsp; &nbsp; There is stillness in the sky,<br />
But the mother looks on her son to-day,<br />
&nbsp; &nbsp; &nbsp; With a troubled heart and eye,<br />
And the maiden&#8217;s brow hath a shade of care<br />
&nbsp; &nbsp; &nbsp; Midst the gleam of her golden hair !</p>
<p>The Rhine flows bright, but its waves ere long<br />
&nbsp; &nbsp; &nbsp; Must hear a voice of war,<br />
And a clash of spears our hills among,<br />
&nbsp; &nbsp; &nbsp; And a trumpet from afar;<br />
And the brave on a bloody turf must lie,<br />
&nbsp; &nbsp; &nbsp; For the Huntsman hath gone by !</p>
<p>Felicia Hemans : The Wild Huntsman<br />
&nbsp;<br />
&nbsp;<br />
<em>It is a popular belief in the Odenwald, that the passing of the Wild Huntsman announces the approach of war. He is supposed to issue with his train from the ruined castle of Rodenstein, and traverse the air to the opposite castle of Schnellerts. It is confidently asserted that the sound of his phantom horses and hounds was heard by the Duke of Baden before the commencement of the last war in Germany.</em><br />
&nbsp;<br />
&nbsp;<br />
&nbsp;<br />
&nbsp;<br />
<center><a href="http://www.serene-falcon.com/imageswp02/kw2-2.jpg"><img src="http://www.serene-falcon.com/imageswp02/kw2-2small.jpg" alt="Kaiser Wilhelm II Riding" /></a></center></p>
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		<title>The Expression Of Correct Concepts</title>
		<link>http://www.serene-falcon.com/the-expression-of-correct-concepts/</link>
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		<pubDate>Sun, 21 Feb 2010 19:15:49 +0000</pubDate>
		<dc:creator>Claverhouse</dc:creator>
				<category><![CDATA[Correctitude]]></category>
		<category><![CDATA[High Germany]]></category>
		<category><![CDATA[Manners not Morals]]></category>
		<category><![CDATA[Other Writ]]></category>
		<category><![CDATA[Royalism]]></category>

		<guid isPermaLink="false">http://www.serene-falcon.com/?p=965</guid>
		<description><![CDATA[&#160; &#160; &#160; &#160; I have never attached another value to words than that of the expression of correct concepts, to theories never the value of deeds, and I have always regarded preconceived systems as the product of leisured heads or the outburst of emotional minds.
&#160; &#160; &#160; &#160; Not in the struggle of society [...]]]></description>
			<content:encoded><![CDATA[<p>&nbsp; &nbsp; &nbsp; &nbsp; I have never attached another value to words than that of the expression of correct concepts, to theories never the value of deeds, and I have always regarded preconceived systems as the product of leisured heads or the outburst of emotional minds.<br />
&nbsp; &nbsp; &nbsp; &nbsp; Not in the struggle of society towards progress, but rather in progression towards the true goods: towards freedom as the inevitable yield of order; towards equality in its only applicable degree of that before the law; towards prosperity, inconceivable without the foundation of moral and material peace; towards credit, which can rest only on the basis of trust — in all that I have recognised the duty of government and the true salvation for the governed.<br />
&nbsp; &nbsp; &nbsp; &nbsp; I have looked upon despotism of every kind as a symptom of weakness. Where it appears, it is a self-punitive evil, most intolerable when it poses behind the mask of promoting the cause of freedom.</p>
<p>&nbsp; &nbsp; &nbsp; &nbsp; The concept of the balancing of powers ( <em>proposed by Montesquieu</em> ) has always appeared to me only as a conceptual error of the English constitution, impractical in its application, because the concept of such a balancing is rooted in the assumption of an eternal struggle, instead of in that of peace, the first necessity for the life and prosperity of states.<br />
&nbsp; &nbsp; &nbsp; &nbsp; The care for the inner life of states has always had for me the worth of the most important task for governments.<br />
&nbsp; &nbsp; &nbsp; &nbsp; As the foundations for politics I recognise the concepts of right and equity and not the sole calculations of use, whilst I look upon capricious politics as an ever self-punitive confusion of the spirit.</p>
<p>&nbsp; &nbsp; &nbsp; &nbsp; My conduct is a prosaic and not a poetical one. I am a man of right, and reject in all things appearance where it divides as such from truth, thereupon deprived as the foundation of right, where it must inevitably dissolve into error.</p>
<p>&nbsp; &nbsp; &nbsp; &nbsp; For me the word “freedom” has not the value of a starting-point, but rather that of an actual point of arrival. The word “order” denotes the starting-point. Only on the concept of order can that of freedom rest. Without the foundation of order, the call for freedom is nothing more than the striving of some party after an envisaged end. In its actual use, the call inevitably expresses itself as tyranny. Whilst I have at all times and in all situations ever been a man of order, my striving was addressed to true and not deceptive freedom. In my eyes, tyranny of any kind has only the value of absolute nonsense. As a means to an end, I mark it as the most vapid that time and circumstance is able to place at the disposal of rulers.<br />
&nbsp; &nbsp; &nbsp; &nbsp; The concept of order in view of legislation &#8212; the foundation of order &#8212; is, in consequence of the conditions under which states live, capable of the most varied application. Considered as constitution, it will prove itself best for any state that answers to the demands of both the material conditions and those moral conditions peculiar to the national character. There is no universal recipe for constitutions, just as little as there is some universal means for the boosting of health.</p>
<p>&nbsp; &nbsp; &nbsp; &nbsp; I did not govern the empire. Therein the powers at every level were not just strictly administered and directed to their competences, but rather in this regard were even relinquished to trepidation, which brought hesitancy to the course of affairs. The principle of government of the Emperor Francis was set forth in the motto “<em>Justitia regnorum fundamentum</em>”, not only as it lay in his spirit and character, but also as it served him as strict guide in all governmental affairs. He agreed with my observation that the axiom, correct in its point of origin, could be abrogated in the excessive practice of particular cases, but he usually added: “<strong>I was born and through my status appointed for the execution of justice; the inevitable hardness in particular cases is better than the slackening of rule through too many exceptions</strong>.” My motto is “<em>Strength in Right</em>”. Both sayings run together in meaning, except that the imperial motto has an abstractly judicial significance, whereas mine has a significance more grounded in state law. In this regard, the motto “<em>Recta tueri</em>”, suggested by me to Emperor Ferdinand upon his most supreme accession, bids a further nuance.</p>
<p>Excerpts from <strong>The Political Testament</strong> of Klemens Wenzel Nepomuk Lothar, Fürst von Metternich-Winneburg zu Beilstein, as translated by <em>Deoholwulf</em>, Keeper of <strong>The Joy of Curmudgeonry</strong></p>
<p>Full text <em><a href="http://curmudgeonjoy.blogspot.com/2008/09/prince-metternichs-political-testament.html">here</a></em>.</p>
<p>&nbsp;</p>
<p>&nbsp;<br />
<center><img src="http://www.serene-falcon.com/imageswp02/KathleenWallisCoales-CockRobinandtheFlowerFairy.jpg" alt="Cock Robin" /></center></p>
<p><center><strong>The Spirit of Eternal Justice Succouring the Stricken State</strong></center><br />
&nbsp;<br />
<center><small>Actually, Kathleen Wallis Coales  &#8212; Cock Robin and the Flower Fairy</small></center></p>
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		<title>Kaiserlich</title>
		<link>http://www.serene-falcon.com/kaiserlich/</link>
		<comments>http://www.serene-falcon.com/kaiserlich/#comments</comments>
		<pubDate>Fri, 25 Dec 2009 16:00:46 +0000</pubDate>
		<dc:creator>Claverhouse</dc:creator>
				<category><![CDATA[High Germany]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Self Writ]]></category>

		<guid isPermaLink="false">http://www.serene-falcon.com/?p=907</guid>
		<description><![CDATA[Download audio file (TheJohannStraussOrchestra-AndreRieuEmmerichKalmanCzardasMedley.mp3)
Emmerich Kalman &#8212; Czardas Medley
The Johann Strauss Orchestra of, and conducted by, André Rieu
Never let us forget that to each&#8217;s infinite credit, the usurper Hitler, delighting in his awesome melodic prowess, offered Kalman Honorary Aryanship and that Kalman refused it.

]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.serene-falcon.com/audio02/TheJohannStraussOrchestra-AndreRieuEmmerichKalmanCzardasMedley.mp3">Download audio file (TheJohannStraussOrchestra-AndreRieuEmmerichKalmanCzardasMedley.mp3)</a></p>
<p>Emmerich Kalman &#8212; Czardas Medley<br />
<em>The Johann Strauss Orchestra of, and conducted by, André Rieu</em></p>
<p>Never let us forget that to each&#8217;s infinite credit, the usurper Hitler, delighting in his awesome melodic prowess, offered Kalman Honorary Aryanship and that Kalman refused it.</p>
<p><center><img src="http://www.serene-falcon.com/imageswp02/wappen_gefurstete_grafschaft_tirol.png" alt="Imperial Tirol Arms" /></center></p>
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